For a refreshing, sweet treat any time, try this delectable berry shake. We love it for an after dinner, sitting-on-the-porch beverage, but it’s great as a breakfast smoothie too.
Serves: 4
Preparation Time: 5 min
Ingredients
2 cups strawberries, frozen, unsweetened
1 1/4 cups skim milk
1/3 cup raspberry jam
1/4 cup blueberries, frozen, unsweetened
2 ounces lowfat Neufchatel cheese, cut up
Instructions
1. Place the strawberries, milk, jam, blueberries, and Neufchatel cheese in blender container; cover and blend until smooth.
2. If necessary, add more milk to make mixture the desired consistency.
3. Pour into 4 glasses.
4. Garnish with fresh strawberries, raspberries, and blueberries. Serve immediately.
If she could turn back time, what would the pop queen change? After decades of public heartbreak and career rebirths she’s still as youthful as the day she first serenaded Sonny.
Cher’s career has lasted over forty years, first as a singer, then as a TV comedian and, later, as a mature and talented actress.
The young Cherilyn Sarkisian LaPierre was dragged out of her job as a studio back-up singer by crooner and music promoter Sonny Bono when she was just seventeen. Failing to impact as double act Caesar and Cleo, the tall, deadpan girl and the diminutive Bono gained huge popularity as Sonny & Cher, though each continued to occasionally record on their own. They ended up marrying in 1964.
Musically, the husband-wife team grew ever more popular with hits such as ‘I Got You Babe’ and ‘The Beat Goes On’. Changing musical tastes at the turn of the decade and financing flop films led to the couple becoming seriously in debt. The humiliation of the Lounge circuit finally evolved into Las Vegas appearances. Their onstage banter and lavish Bob Mackie costumes formed the basis of their TV show. The couple started to work on comedy sketches and ‘The Sonny and Cher Comedy Hour’ debuted in 1971. It was a hit and ran for three years on US networks.
By 1974, Sonny and Cher split, both professionally and romantically. Cher returned to music and recorded a series of commercially successful pop albums. Sonny eased himself out of showbiz and into politics. Cher on the other hand remarried briefly, in 1975, to Greg Allman.
However, film was Cher’s passion of the 1980s and she worked hard on small parts, eventually winning Best Supporting Actress at the Academy Awards for her performance in ‘Silkwood’. Buoyed by her success, Cher was offered starring roles in ‘Mask’, ‘Suspect’ and ‘The Witches of Eastwick’. In 1988 she won the Academy Award’s Best Actress gong for her role in ‘Moonstruck’. At the same time, her ‘Heart of Stone’ album produced a sizeable hit ‘If I Could Turn Back Time’ and a memorably risqué outfit for the video.
She made her directing debut with ‘If These Walls Could Talk’ in 1996. Despite her reputation as supporter for gay rights and AIDS charities, Cher was initially less than delighted when her daughter was outted by the press. Their relationship mended in time for Chastity to break the news to her mother that Sonny had died while skiing. The eulogy to her former partner displayed Cher’s vulnerable side to the public. Chastity was later to rename herself Chaz, following her decision to change sex. A documentary which chart’s her gender reassignment, entitled ‘Becoming Chaz’, shows Cher explaining that “at some point, I’m going to have to start calling her him”. Read more…..thebiographychannel.co.uk
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If she could turn back time, what would the pop queen change? After decades of public heartbreak and career rebirths she’s still as youthful as the day she first serenaded Sonny.
Cher’s career has lasted over forty years, first as a singer, then as a TV comedian and, later, as a mature and talented actress.
The young Cherilyn Sarkisian LaPierre was dragged out of her job as a studio back-up singer by crooner and music promoter Sonny Bono when she was just seventeen. Failing to impact as double act Caesar and Cleo, the tall, deadpan girl and the diminutive Bono gained huge popularity as Sonny & Cher, though each continued to occasionally record on their own. They ended up marrying in 1964.
Musically, the husband-wife team grew ever more popular with hits such as ‘I Got You Babe’ and ‘The Beat Goes On’. Changing musical tastes at the turn of the decade and financing flop films led to the couple becoming seriously in debt. The humiliation of the Lounge circuit finally evolved into Las Vegas appearances. Their onstage banter and lavish Bob Mackie costumes formed the basis of their TV show. The couple started to work on comedy sketches and ‘The Sonny and Cher Comedy Hour’ debuted in 1971. It was a hit and ran for three years on US networks.
By 1974, Sonny and Cher split, both professionally and romantically. Cher returned to music and recorded a series of commercially successful pop albums. Sonny eased himself out of showbiz and into politics. Cher on the other hand remarried briefly, in 1975, to Greg Allman.
However, film was Cher’s passion of the 1980s and she worked hard on small parts, eventually winning Best Supporting Actress at the Academy Awards for her performance in ‘Silkwood’. Buoyed by her success, Cher was offered starring roles in ‘Mask’, ‘Suspect’ and ‘The Witches of Eastwick’. In 1988 she won the Academy Award’s Best Actress gong for her role in ‘Moonstruck’. At the same time, her ‘Heart of Stone’ album produced a sizeable hit ‘If I Could Turn Back Time’ and a memorably risqué outfit for the video.
She made her directing debut with ‘If These Walls Could Talk’ in 1996. Despite her reputation as supporter for gay rights and AIDS charities, Cher was initially less than delighted when her daughter was outted by the press. Their relationship mended in time for Chastity to break the news to her mother that Sonny had died while skiing. The eulogy to her former partner displayed Cher’s vulnerable side to the public. Chastity was later to rename herself Chaz, following her decision to change sex. A documentary which chart’s her gender reassignment, entitled ‘Becoming Chaz’, shows Cher explaining that “at some point, I’m going to have to start calling her him”. Read more…..thebiographychannel.co.uk
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Everyone loves cinnamon rolls, whether for breakfast, lunch, or just a snack. These are simply divine! Serve them up with a tall glass of milk and enjoy.
Serves: 12
Cooking Time: 25 min
Ingredients
1/2 cup quite warm milk
1 teaspoon salt
1 tablespoon sugar
1 package yeast
1 egg
2 tablespoons shortening
2 1/2 cups flour
3 tablespoons butter, melted
1 tablespoon ground cinnamon
2 tablespoons brown sugar
1 1/2 cups powdered sugar
2 tablespoons milk
Instructions
Preheat oven to 400F degrees.
Combine the 1/2 cup of warm milk, salt, sugar, yeast, egg, shortening and flour and knead.
Roll out into a 12″x7″ rectangle.
Combine butter, cinnamon, brown sugar, powdered sugar, and the 2 tablespoons of milk.
Spread the dough rectangle with half the mixture.
Roll up the long way and cut 12 rolls.
Place in a 9″ round pan.
Let rise 25-30 minutes.
Bake 20-25 minutes at 400F degrees.
While still warm, frost with the other half of the cinnamon mixture.
Chuck Berry’s music has transcended generations. He earns respect to this day because he is truly an entertainer. Berry, also known as “The Father of Rock & Roll”, gained success by watching the audience’s reaction and playing accordingly, putting his listeners’ amusement above all else. For this reason, tunes like “Johnny B. Goode,” “Maybellene” and “Memphis” have become anthems to an integrated American youth and popular culture. Berry is a musical icon who established rock and roll as a musical form and brought the worlds of black and white together in song.
Born in St. Louis on October 18, 1926 Berry had many influences on his life that shaped his musical style. He emulated the smooth vocal clarity of his idol, Nat King Cole, while playing blues songs from bands like Muddy Waters. For his first stage performance, Berry chose to sing a Jay McShann song called “Confessin’ the Blues.” It was at his high school’s student musical performance, when the blues was well-liked but not considered appropriate for such an event. He got a thunderous applause for his daring choice, and from then on, Berry had to be onstage.
Berry took up the guitar after that, inspired by his partner in the school production. He found that if he learned rhythm changes and blues chords, he could play most of the popular songs on the radio at the time. His friend, Ira Harris, showed him techniques on the guitar that would become the foundation of Berry’s original sound. Then in 1952, he began playing guitar and singing in a club band whose song list ranged from blues to ballads to calypso to country. Berry was becoming an accomplished showman, incorporating gestures and facial expressions to go with the lyrics.
It was in 1953 that Chuck Berry joined the Sir John’s Trio (eventually renamed the Chuck Berry Combo), which played the popular Cosmopolitan Club in St. Louis. Country-western music was big at the time, so Berry decided to use some of the riffs and create his own unique hillbilly sound. The black audience thought he was crazy at first, but couldn’t resist trying to dance along with it. Since country was popular with white people, they began to come to the shows, and the audience was at some points almost 40 percent white. Berry’s stage show antics were getting attention, but the other band members did their parts as well. In his own words: “I would slur my strings to make a passage that Johnnie (Johnson) could not produce with piano keys but the answer would be so close that he would get a tremendous ovation. His answer would sound similar to some that Jerry Lee Lewis’s fingers later began to flay.”
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In a large mixing bowl, combine cream, milk, eggs, sugar and vanilla.
Butter the bread and trim off the crusts. The bread can be cut into rectangles or triangles, depending on the shape of
your dish.
Lightly grease an ovenproof dish (2 litres/8-cup capacity). Arrange 1/3 of the bread in dish. Top with ½ the banana and sultanas. Pour over 1/3 of the egg mixture. Repeat, then place the remaining bread on top. Pour remaining egg mixture into the dish. Stand for 20 minutes.
Meanwhile, preheat oven to 180°C (160°C fan-forced). Bake pudding for about 30 minutes or until set.
Heat the jam in the microwave on HIGH (100%) for about 30 seconds or until liquid. Remove pudding from the oven. Brush the top with jam. Sprinkle with almonds and return to the oven for 5 minutes. Serve warm with cream, if desired.
Formed in 1969 in Nottingham, England, and made up of Michael Vaughn, Chris Morris, Carlo Santana, Cliff Fish, and Phillip Wright, Paper Lace was one of hundreds of pop bands in England looking for the big time while slogging their way through small club gigs and brief television appearances.
Their big break came in 1974 when their version of the tear-jerking bubblegum tune “Billy, Don’t Be a Hero” won top honours on Opportunity Knocks, a nationwide talent-show on ITV. They rode that song all the way to the top of the U.K. charts but were aced out of any sales in the U.S. by Bo Donaldson & the Haywood’s’ transcendent version.
Their next single, “The Night Chicago Died,” did manage to hit the number one slot on the U.S. charts (number three in the U.K.) and then that was it. The group released two albums, Paper Lace and Other Bits of Material in 1974 and First Edition in 1975, and did a quick fade from the public eye. In 1978 they surfaced briefly with a sing-along version of “We’ve Got the Whole World in Our Hands” with their local football team, Nottingham Forest FC, and the disappeared forever.
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“American Pie” is partly biographical and partly the story of America during the idealized 1950s and the bleaker 1960s. It was initially inspired by Don’s memories of being a paperboy in 1959 and learning of the death of Buddy Holly. “American Pie” presents an abstract story of McLean’s life from the mid-1950s until the end of the 1960s, and at the same time it represents the evolution of popular music and politics over these years, from the lightness of the 1950s to the darkness of the late 1960s, but metaphorically the song continues to evolve to the present time. It is not a nostalgia song. “American Pie” changes as America, itself, is changing.
For McLean, the transition from the light innocence of childhood to the dark realities of adulthood began with the deaths of his father and Buddy Holly and culminated with the assassination of President Kennedy in 1963, which was the start of a more difficult time for America. During this four year period, Don moved from an idyllic childhood, through the shock and harsh realities of his father’s death in 1961, to his decision, in 1964, to leave Villanova University to pursue his dream of becoming a professional singer.
The 1950s were an era of happiness and affluence for the burgeoning American middle class. Americans had a feeling of optimism about their prospects for the future, and pride in their nation which had emerged victorious from World War II, setting the world free from the tyranny of Nazi Germany. Popular music mirrored society. Performers such as Buddy Holly, Elvis Presley, and Bill Haley and the Comets churned out feel-good records that matched the mood of the nation. Sinister forces such as communism were banished, and serious folk groups like the Weavers were being replaced by the beat poets who, as members of the intelligentsia, were excused their lack of optimism.
The 1960s was the antithesis of the previous decade. The exuberant simplicity of the 1950s was displaced by a much more volatile and politically charged atmosphere. People were asking questions. The cozy world of white middle class America was disturbed, as civil rights campaigners marched on Washington, D.C., and Martin Luther King Jr delivered his “I Have a Dream” speech from the steps of the Lincoln Memorial. The following year saw the 1964 Civil Rights Act become law. On the world stage, America’s leading super-power status was being challenged by the Soviet Union, and its military might was being tested by the Vietnamese. Even in music, America soon found itself overrun by a British invasion. The 1960s was a turbulent time for McLean’s generation.
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Formed in 1969 in Nottingham, England, and made up of Michael Vaughn, Chris Morris, Carlo Santana, Cliff Fish, and Phillip Wright, Paper Lace was one of hundreds of pop bands in England looking for the big time while slogging their way through small club gigs and brief television appearances.
Their big break came in 1974 when their version of the tear-jerking bubblegum tune “Billy, Don’t Be a Hero” won top honours on Opportunity Knocks, a nationwide talent-show on ITV. They rode that song all the way to the top of the U.K. charts but were aced out of any sales in the U.S. by Bo Donaldson & the Haywood’s’ transcendent version.
Their next single, “The Night Chicago Died,” did manage to hit the number one slot on the U.S. charts (number three in the U.K.) and then that was it. The group released two albums, Paper Lace and Other Bits of Material in 1974 and First Edition in 1975, and did a quick fade from the public eye. In 1978 they surfaced briefly with a sing-along version of “We’ve Got the Whole World in Our Hands” with their local football team, Nottingham Forest FC, and the disappeared forever.
Got a request?
Want a song dedicated to you?
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