Jennifer Lopez – On The Floor ft Pitbull

Jennifer Lopez – On The Floor ft Pitbull

Jennifer Lopez - On The Floor ft Pitbull

Lopez’s musical career also began to take off, as she released her debut Latin pop album, On the 6 in June 1999. The album, fueled by the success of her hit single, “If You Had My Love,” went platinum within two weeks, making Lopez—along with Ricky Martin—one of the most influential examples of the growing Latin cultural influence in pop music.

Early in 2000, Lopez was nominated for Best Dance Performance for her second hit single “Waiting for Tonight,” but lost the award to veteran diva Cher. In the summer of 2000, she starred in the science fiction-thriller The Cell, in which she plays a child psychologist helping to track a terrifying serial killer. The same year, she starred in Enough, a portrayal of spousal abuse.

The popularity of the multi-talented Lopez reached new heights in early 2001, when her album, J. Lo debuted at No. 1 on the pop charts, while her film, the romantic comedy The Wedding Planner, shot to the top spot at the box office in its first week of release. In December 2002, she performed another one-two punch with the release of the record This Is Me … Then and a starring role in the comedy Maid in Manhattan, which was a box office hit, if not a critical one. In 2003, she co-starred with Ben Affleck in the box office bomb, Gigli. Other projects included Jersey Girl (also with Affleck) and An Unfinished Life, in which she played a single mom taken in by her father-in-law played by Robert Redford. She also starred opposite Richard Gere inShall We Dance?, a remake of the top-grossing Japanese flick.

Bio source…..www.biography.com

Picture source…..4.bp.blogspot.com

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Bob Marley and The Wailers – Is This Love

Bob Marley and The Wailers – Is This Love

Bob Marley and The Wailers - Three little birds

As a poet, prophet and purveyor of Jamaican culture, he shattered musical boundaries around the world.

Bob Marley was born in a small village called Nine Miles in Jamaica. The son of British Naval Officer and Jamaican woman called Cedella, Marley rarely saw his father due to his mother’s family and their disapproval of his parents relationship.

By the time he had turned 16, Marley had recorded his first single ‘Judge Not’, and in 1963, he formed The Wailers with Peter Tosh, Bunny Livingstone, Junior Braithwaite, and Beverly Kelso. The band then scored their first number one in Jamaica with ‘Simmer Down’ on the Coxsone label.

When Braithwaite and Kelso left the group around 1965, the Wailers continued as a trio, Marley, Tosh, and Livingstone trading leads. In spite of the popularity of singles like ‘Rude Boy’, the artists received few or no royalties, and in 1966 they disbanded.

After marrying his girlfriend Rita Anderson, Marley spent most of the following year working in a factory in Newark in the United States, where his mother had moved in 1963. Upon his return to Jamaica, the Wailers reunited and recorded for Coxsone with little success. During this period, the Wailers devoted themselves to the religious sect of Rastafari.

In 1969, they began a three-year association with Lee “Scratch” Perry, who directed them to play their own instruments and expanded their line-up to include Aston and Carlton Barrett, formerly the rhythm section of Perry’s studio band, the Upsetters. Some of the records they made with Perry – like ‘Trenchtown Rock’ – were locally very popular, but so precarious was the Jamaican record industry that the group seemed no closer than before to establishing steady careers. It formed an independent record company, Tuff Gong, in 1971, but the venture foundered when Livingstone was jailed and Marley got caught in a contract commitment to American pop singer Johnny Nash, who took him to Sweden to write a film score.

Their breakthrough came in 1972 when Chris Blackwell – who had released ‘Judge Not’ in England in 1963 – signed the Wailers to Island Records and advanced them the money to record themselves in Jamaica. The first result of this new contract was 1973’s ‘Catch A Fire’, the breakthrough album that saw the band reach an international audience for the first time. It was followed a year later by Burnin’, which included the songs “Get Up, Stand Up” and “I Shot The Sheriff”.

The band toured heavily during this period, and Marley expanded the instrumental section of the group and bringing in a female vocal trio, the I-Threes, which included his wife, Rita. Now called Bob Marley and the Wailers, they toured Europe, Africa, and the Americas, building especially strong followings in the U.K., Scandinavia, and Africa. They had U.K. Top 40 hits with ‘No Woman No Cry’ (1975), ‘Exodus’ (1977), ‘Waiting in Vain’ (1977), and ‘Satisfy My Soul’ (1978).

In 1976, Marley was shot by gunmen during the Jamaican election campaign, but survived and continued to soar in popularity until his 1981 death due to brain, lung and stomach cancer. In 1987, both Peter Tosh and longtime Marley drummer Carlton Barrett were murdered in Jamaica during separate incidents. Rita Marley continues to tour, record, and run the Tuff Gong studios and record company.

Picture source…..foreverb.rxmedicalweb.netdna-cdn.com

Bio source……www.thebiographychannel.co.uk

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Condoms keep your organ safe

Condoms keep your organ safe

Condoms keep your organ safe - Our Awesome Blog

Miss Beatrice, the church organist, was in her eighties and had never been married. She was admired for sweetness and kindness to all.

One afternoon the pastor came to call on her and she showed him into her quaint sitting room. She invited him to have a seat while she prepared tea.

As he sat facing her old pump organ, the young minister noticed a cut-glass bowl sitting on top of it. The bowl was filled with water. In the water floated, of all things, a condom! When she returned with tea and scones, they began to chat.

The pastor tried to stifle his curiosity about the bowl of water and its strange floater, but soon it got the better of him and he could no longer resist. “Miss Beatrice”, he said, “I wonder if you would tell me about this?” pointing to the bowl. “Oh, yes” she replied, “isn’t it wonderful?

I was walking through the park a few months ago and I found this little package on the ground. The directions said to place it on the organ, keep it wet and that it would prevent the spread of disease. Do you know I haven’t had the flu all winter!” The pastor fainted.

Joke source…..+Wanda Kelley Google+

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Havana Brown – We Run The Night

Havana Brown – We Run The Night

Warrior - Havana Brown

Havana Brown always planned on being a singer – it’s just becoming a world-famous DJ kind of got in the way.

The Melbourne glamour has just released her sizzling debut single ‘We Run The Night’, but she first started singing at the modest age of six. Admittedly though, her ‘performances’ back then were a little different…

“I’d put together shows at family dinners and drag along my poor cousins, who didn’t know how to dance or sing. I don’t know how entertained everyone was,” Brown recalls with a laugh. “I was really into R&B, like Janet Jackson’s Rhythm Nation and Bobby Brown.”

After countless years of singing lessons, performing in dance troupes and cheerleading for her hometown Aussie Rules and basketball teams, Brown got serious about making her own music right after leaving high school.

She started working with Panos Liassi, a Melbourne-based London DJ/producer and one half of R&B/reggae partystarters, Supafly Inc. Such was their musical connection, she ended up following him to the UK to form a Fugees-style group called Fishbowl with two other members. They got signed to the Polydor UK label almost instantly, but sadly, in-fighting saw the act split before they even got to release a single.

“When I look back, it was a pretty dark time,” says Brown. “Getting signed is a big deal for a new artist. You think, woah, this is it! But it wasn’t…”

Like anyone suffering a break up, Brown threw herself into the party scene and one night, she had a dancefloor epiphany of her own: the DJ had the best job in the room and she wanted in.

After learning the basics from Panos, she scraped together enough money from her four-quid-an-hour job to buy her first pair of decks and started hitting up bars with her demo.

Her persistence finally paid off when she scored her first residency at London’s exclusive Kabaret nightclub. “I told the promoters I’d play my first gig for free and they could throw me off after the first song. I don’t think they even thought I’d turn up the next night. When I did, they were like ‘oh, you were serious?’ I ended up playing for an hour and they loved it.”

Arriving back in Australia at the end of 2006, Brown – in her own words – “worked her little tush off” to keep her DJ dream alive. After working the club circuit, she became the first female DJ in Australia to sign a major label record deal with Universal Music in 2008, released her first mix CD, Crave, and topped the year off opening for the Pussycat Dolls on their promo tour.

The Dolls’ management were so impressed with her DJ-with-dancers show, they asked her back for their full tour in 2009. And as word spread, Brown found herself supporting the cream of the pop crop, including Rihanna, Chris Brown, Lady Gaga and Britney Spears, with the latter inviting her on her European tour a year later.

Since then, Brown’s star has only gotten brighter. These days, she boasts weekly radio mixup shows in Australia and abroad (on the popular Radio FG France dance network), has sold over 150,000 copies of her Crave series (now up to Volume 5) and played events as dazzling and diverse as the official Grammy’s After Party and the Singapore F1 Grand Prix alongside Beyonce and the Black Eyed Peas. Along the way, she’s also clocked up more than 100,000 loyal Facebook fans.

Now, twenty years since that first giddy singing lesson, she’s ready to retake the mic and launch that long-overdue singing career. And she’s not afraid to say she’s a little bit nervous…

“It’s exciting, nerve-wracking and intimidating all at the same time,” she says. “I’ve been working on this for a while and I didn’t want to release anything until I was completely satisfied with it. I can’t wait for people to hear this song.”

Written and produced by dance duo More Mega, first single ‘We Run The Night’ is the perfect introduction to the talents and tastes of Havana Brown. A certified dancefloor detonator, the song’s as epic as it is euphoric with an insanely infectious breakdown that’s guaranteed to throw the crowd into overdrive.

“It’s created for both the clubs and the radio,” she reveals. “That was really important for me and it was very difficult to pull off. As for the track, it’s about how music makes me feel.”

Brown says her vast experience as a DJ playing other people’s tunes has also had a huge impact on how she approaches her own.

“In the past, I wasn’t quite sure what type of artist I want to be. But now, after DJing and Fishbowl falling apart, which has been a blessing in disguise, now I’m very confident about what I want.”

At the same time, she realises that some people can be just as dismissive of female pop singers as they are of female DJs. But that, she says, only motivates her more.

“It actually drives me more when people say bad things,” she confesses. “It doesn’t make me angry, it’s more ‘I’m just going to annoy you even more by going out there even harder.’”

“I know I’m putting myself out there in a different way,” she adds. “Originally I was behind the console playing other people’s music but now I’m up front performing my own. I’m revealing myself – it’s like being naked.”

So far, Havana’s career as a jet-setting DJ has been nothing short of dazzling, but now she’s ready to shine in a whole new light. Ladies and gentlemen, introducing Havana Brown the artist.

Bio and picture source…..www.getmusic.com.au

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Visit the Kiwi’s

Visit the Kiwi’s

Visit the Kiwi's

Go Big or stay home Adventures

At G Adventures, we encourage you to step off the beaten path, embrace the unexpected and immerse yourself in the extraordinary.
Our award-winning trips embrace authentic accommodation and local transportation to bring you face to face with the world’s most fascinating cultures, customs and awe-inspiring wildlife.
We believe an unforgettable travel experience doesn’t have to be expensive; that’s why we continually strive to offer the most competitive prices around.
Because our grassroots approach provides a more affordable way to travel, we’re able to deliver the adventure of a lifetime at a fraction of the cost.
With the largest variety of destinations, departure dates and an unparalleled choice of trip styles and service levels designed to meet all tastes, ages and budgets, we’re certain there’s a G Adventures trip for you.
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Nelly – Ride Wit Me ft. St. Lunatics

Nelly – Ride Wit Me ft. St. Lunatics

Nelly - Ride Wit Me ft. St. Lunatics
Cornell Haynes, Jr. (born November 2, 1974), better known by his stage name Nelly, is an American rapper and singer.

A member of hip hop group St. Lunatics, Nelly was signed to Universal Records in 2000. Nelly’s debut album, “Country Grammar” was released that year, and explores the genres of Southern rap and Pop rap. “Country Grammar” was certified nine times platinum in the United States, and was a mainstream success, debuting at #3 on the Billboard 200 and went on to peak at #1. He released the single “Country Grammar (Hot Shit)” and it peaked at #7 on the Billboard Hot 100 Singles chart and #1 on the Hot Rap Tracks chart. Nelly also released the single “Ride wit Me,” featuring fellow St. Lunatic City Spud. The song peaked at #3 on the Billboard Hot 100 and became his highest charting single at that time.

The following year, St. Lunatics released their first album as a group, “Free City,” which received a platinum certification in the United States. Nelly released his second studio work, “Nellyville” in 2002. The album debuted at #1 on the Billboard 200 Albums chart. It was also nominated for “Album of the Year” at the 2003 Grammys. The album was certified 6× platinum by the RIAA. Its lead single “Hot in Herre” was a #1 hit. Other singles included “Dilemma” featuring Kelly Rowland of Destiny’s Child, “Work It” featuring Justin Timberlake, “Air Force Ones” featuring Murphy Lee and the St. Lunatics, “Pimp Juice”, and “#1.” The album was certified 6x multi-platinum. “Hot in Herre” won the Grammy Award for Best Male Rap Solo Performance in 2003.

Nelly released a remix album in 2003, titled “Da Derrty Versions: The Reinvention.”

In 2004, Nelly released two albums, “Sweat” and “Suit.” “Suit,” an R&B-oriented album, debuted at #1 on the Billboard albums chart, and “Sweat,” a rap-oriented album, debuted at #2. From “Suit,” the slow ballad “Over and Over,” an unlikely duet with country music star Tim McGraw, became a crossover hit. 

In the winter of 2005 “Sweatsuit,” a compilation of tracks from “Sweat” and “Suit” with three new tracks was released. “Grillz,” produced by Jermaine Dupri, was a #1 hit. To date, both albums have sold over 5 million copies in the U.S.

“Brass Knuckles,” Nelly’s fifth studio album, was issued in 2008 and reached #3 on the Billboard 200 Albums chart. “Party People,” which features Fergie, was released as the first single from the album and peaked at #40 on the Billboard Hot 100 chart. “Stepped on My J’z” which features Ciara and Jermaine Dupri, was released as the second single peaking at #90 on the Billboard Hot 100 chart. “Body on Me” which features Akon and Ashanti, was released as the third single and peaked at #42 on the Billboard Hot 100 chart. 

In 2010, Nelly released the album “5.0.” The lead single, “Just a Dream,” went to #3 on the Hot 100 chart and was certified platinum in the U.S. The second single, “Move That Body” featuring T-Pain and Akon. The third single “Gone” is the sequel to Nelly’s 2002 worldwide #1 hit “Dilemma,” and also featured Rowland.

Bio source…..starpulse.com

Picture source…..static2

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Dragon – This Time In The Right Direction

Dragon – This Time In The Right Direction

Dragon - Are You Old Enough

Dragon formed in Auckland, New Zealand, in 1972, with a line-up that featured Todd Hunter, guitarist Ray Goodwin, drummer Neil Reynolds and singer Graeme Collins; by 1974 several personnel changes had occurred including the introduction of Todd’s brother Marc Hunter on vocals and Neil Storey on drums.

The band recorded two progressive rock albums in New Zealand, Universal Radio and Scented Gardens for the Blind, the second with an added guitar element from Robert Taylor. Paul Hewson also joined the band on keyboards and from this point Dragon’s music took on a pop-flavoured AOR feel.

Dragon eventually landed a contract in Australia with CBS Records and relocated to Sydney in 1975.

Always a lightning rod for controversy, the band was rocked by the heroin overdose death of drummer Neil Storey only weeks after arriving in Australia and their original manager was also deported back to New Zealand on drugs charges. By then, founding member Ray Goodwin had left the group.

Storey was replaced by Kerry Jacobson and, between 1975 and 1979, Dragon scored a string of major hits on the Australasian pop charts with songs including “April Sun in Cuba,” “Are You Old Enough” and “Still in Love With You” and with the albums Sunshine and O Zambezi, making them one of the region’s most popular rock acts.

Marc Hunter left Dragon in 1979 due to health problems which were, by then, seriously affecting his performances. New singer Richard Lee was recruited and the group recorded the Powerplay LP before breaking up in 1979.

Dragon was forced to reform in 1982 to pay off outstanding debts, but they stayed together and decided to have another shot at success. The band’s second comeback single “Rain” proved to be a massive hit, but Kerry Jacobson left the band for health reasons and was replaced by British drummer Terry Chambers, formerly from the band XTC. American keyboard player and producer Alan Mansfield also joined the band at this point.

The group’s 1984 album Body and the Beat became one of the biggest-selling albums in Australia and New Zealand and the band was restored to something close to its late 70s glory. Their public profile was further raised at this time by the Marc Hunter solo album Communication. Its title track became a moderate hit in Australia.

Paul Hewson left Dragon and tragically died of a drug overdose in New Zealand in January 1985, with Terry Chambers and Robert Taylor leaving Dragon some time after. American drummer Doanne Perry replaced Chambers, and Taylor was eventually succeeded by local Sydney guitar ace Tommy Emmanuel.

This line-up recorded the Todd Rundgren-produced Dreams of Ordinary Men album and toured Europe under the name Hunter in 1987, where they were somewhat misrepresented as a heavy metal band in some markets.

Dragon again split up in 1988 although a year later Todd and Marc Hunter and Alan Mansfield reconvened once again with guitarist Randall Waller and drummer Barton Price (ex-Models and The Choirboys) for the 1989 Bondi Road album, which actually featured Tommy Emmanuel’s guitar playing.

Dragon continued to record and tour with varying line-ups centered around the Hunter brothers and Mansfield until 1997, although Todd Hunter had largely retired from the band to do soundtrack work.

In 1998, Marc Hunter was diagnosed with severe throat cancer and died later that year. The compilation CD Forever Young, released on Raven Records, captures many of the highlight tracks of his tumultuous career.

Bio source…..www.last.fm

Picture source…..www.thestarfish.com.au

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Bob Marley and The Wailers – Redemption song

Bob Marley and The Wailers – Redemption song

Bob Marley and The Wailers - Redemption song

As a poet, prophet and purveyor of Jamaican culture, he shattered musical boundaries around the world.

Bob Marley was born in a small village called Nine Miles in Jamaica. The son of British Naval Officer and Jamaican woman called Cedella, Marley rarely saw his father due to his mother’s family and their disapproval of his parents relationship.

By the time he had turned 16, Marley had recorded his first single ‘Judge Not’, and in 1963, he formed The Wailers with Peter Tosh, Bunny Livingstone, Junior Braithwaite, and Beverly Kelso. The band then scored their first number one in Jamaica with ‘Simmer Down’ on the Coxsone label.

When Braithwaite and Kelso left the group around 1965, the Wailers continued as a trio, Marley, Tosh, and Livingstone trading leads. In spite of the popularity of singles like ‘Rude Boy’, the artists received few or no royalties, and in 1966 they disbanded.

After marrying his girlfriend Rita Anderson, Marley spent most of the following year working in a factory in Newark in the United States, where his mother had moved in 1963. Upon his return to Jamaica, the Wailers reunited and recorded for Coxsone with little success. During this period, the Wailers devoted themselves to the religious sect of Rastafari.

In 1969, they began a three-year association with Lee “Scratch” Perry, who directed them to play their own instruments and expanded their line-up to include Aston and Carlton Barrett, formerly the rhythm section of Perry’s studio band, the Upsetters. Some of the records they made with Perry – like ‘Trenchtown Rock’ – were locally very popular, but so precarious was the Jamaican record industry that the group seemed no closer than before to establishing steady careers. It formed an independent record company, Tuff Gong, in 1971, but the venture foundered when Livingstone was jailed and Marley got caught in a contract commitment to American pop singer Johnny Nash, who took him to Sweden to write a film score.

Their breakthrough came in 1972 when Chris Blackwell – who had released ‘Judge Not’ in England in 1963 – signed the Wailers to Island Records and advanced them the money to record themselves in Jamaica. The first result of this new contract was 1973’s ‘Catch A Fire’, the breakthrough album that saw the band reach an international audience for the first time. It was followed a year later by Burnin’, which included the songs “Get Up, Stand Up” and “I Shot The Sheriff”.

The band toured heavily during this period, and Marley expanded the instrumental section of the group and bringing in a female vocal trio, the I-Threes, which included his wife, Rita. Now called Bob Marley and the Wailers, they toured Europe, Africa, and the Americas, building especially strong followings in the U.K., Scandinavia, and Africa. They had U.K. Top 40 hits with ‘No Woman No Cry’ (1975), ‘Exodus’ (1977), ‘Waiting in Vain’ (1977), and ‘Satisfy My Soul’ (1978).

In 1976, Marley was shot by gunmen during the Jamaican election campaign, but survived and continued to soar in popularity until his 1981 death due to brain, lung and stomach cancer. In 1987, both Peter Tosh and longtime Marley drummer Carlton Barrett were murdered in Jamaica during separate incidents. Rita Marley continues to tour, record, and run the Tuff Gong studios and record company.

Picture source…..foreverb.rxmedicalweb.netdna-cdn.com

Bio source……www.thebiographychannel.co.uk

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Chain Wine Bottle Holder

Chain Wine Bottle Holder

Chain Wine Bottle Holder

Unique gift ideas for Christmas Birthdays Father’s Day and more
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Lana Del Rey – Born To Die

Lana Del Rey – Born To Die

Summertime Sadness - Lana Del Rey

Lana Del Ray was born by the name Elizabeth Woolridge Grant on June 21, 1986 in New York City but grew up in Lake Placid, New York. She would hit bars in Lake Placid to showcase her talent in singing but always felt that she had to go bigger. So she moved back to NYC and got signed by an indie label at the age of 19. Unfortunately, the recording house went out of business.

“The way I experienced New York, for a long time after I moved, was alone and at night, walking the streets. I mean, there are thousands of streets in New York and I know them all. I’d go down to the tip of Manhattan, or even down to Coney Island, then travel all the way back up. Because I come from a place that, geographically, isn’t that stimulating. But New York’s architecture alone is enough to inspire a whole album. In fact, that’s what happened at first – my early stuff was mostly just interpretations of landscapes,” she said in an interview how the big city inspired her.

Del Rey was so determined that she went to record labels in London to show them a piece of her music but none of them were interested in her style. She released an EP called “Kill Kill” in 2008 under the name Lizzy Grant and then a full-length studio album in January 2010 as Lana Del Ray a.k.a. Lizzy Grant. It was with her father Robert Grant’s help that the album reached the market.
Del Rey wrote “Video Games” with a composer called Justin Parker and uploaded her performance of the song on YouTube in July 2011. “To be honest, it wasn’t going to be the single but people have really responded to it. I get very sad when I play that song. I still cry sometimes when I sing it,” she said.

The response was indeed amazing and she signed a deal with Interscope in October 2011 to release the song for wider market. “Video Games” won a Q Award that month and was featured in a TV series called “Ringer“. She began the promotional period with appearances and performances in several TV shows. She also started mulling over the idea of making another full-length album, which would be her first wide release.

Born to Die” was released in January 2012 although a few days before that, she was scrutinized for her first live performance on television. Del Rey was the musical guest on “Saturday Night Live” and she was criticized for being amateur. In her defense, Del Rey said, “I’m a good musician …I have been singing for a long time, and I think that Lorne Michaels knows that …it’s not a fluke decision.”

With the newfound fame, Del Rey bought the rights to her 2010 album and planned to re-release it in summer 2012 under Interscope Records and Polydor.

Bio and picture source….. www.aceshowbiz.com

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