Bing Crosby – It’s Beginning To Look A Lot Like Christmas
To most Americans, he was the eternal Crooner: a much celebrated and beloved performer of unparalleled popularity. Yet Bing Crosby was far more than that: He was an architect of 20th century entertainment, a force in the development of three industries that barely existed when he came into the world: recordings, motion pictures, and broadcasting. As the most successful recording artist of all time; an abiding star of movies, radio, and television; and a firm believer in the wonders of technology, he helped to transform and define the cultural life not only of the United States, but of the world.
When Harry Lillis Crosby was born, on May 3, 1903, to a working-class Catholic Irish-Anglo family with deep roots in the American Northwest, there was little reason to think he would amount to much. Though an obviously intelligent and conscientious student, his primary interests were sports (he won many swimming medals), school plays, and music–he played drums (not very well), sang, and whistled. At Gonzaga University, he decided to study law because he could think of nothing better at the time and it pleased his parents. He left law school two months before graduating.
Music lured him away. It had always been part of the Crosby household. His father, who played mandolin, led the family in song and bought one of the first phonographs in Spokane, Washington. Harry was the fourth of seven siblings. Nicknamed Bing for his love of a newspaper parody, “The Bingville Bugle,” he listened to everything; he attended the vaudeville shows that came through town, regaling his friends afterward with detailed accountings of each act. He landed a backstage job when the legendary Al Jolson performed in Spokane, and studied his every gesture from the wings.
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