Demetrius Savelio (born 28 June 1981), better known by his stage name Savage, is a New Zealand rapper of Samoan descent, and a former member of hip hop group the Deceptikonz. In 2009, he became the first New Zealand hip hop artist in history to have a commercial single (“Swing”) achieve platinum certification status in the United States for selling over one million copies.
The “International Breakthrough” accolade of the Pacific Music Awards was created in his honour. He is not to be confused with Savage of the underground Atlanta- and Bronx-based hip hop group Hard Knocks, which released one album in 1992.
Savage joined with friends to form a hip-hop group, the Deceptikonz, in 1997. Success was not instant, however, as the group struggled through several talent shows and small concerts. Their big break came in 1999 when they were signed to South Auckland (Papatoetoe) hip hop label Dawn Raid Entertainment.
In 2002, the Deceptikonz released Elimination; a studio album that peaked at number four on the New Zealand albums chart. In late 2003, Savage featured as a member of the Deceptikonz on the hit single Stop, Drop and Roll; a number six hit on the New Zealand singles chart.
Read more…..en.wikipedia.org/wiki/Savage_(rapper)
Havana Brown always planned on being a singer – it’s just becoming a world-famous DJ kind of got in the way.
The Melbourne glamour has just released her sizzling debut single ‘We Run The Night’, but she first started singing at the modest age of six. Admittedly though, her ‘performances’ back then were a little different…
“I’d put together shows at family dinners and drag along my poor cousins, who didn’t know how to dance or sing. I don’t know how entertained everyone was,” Brown recalls with a laugh. “I was really into R&B, like Janet Jackson’s Rhythm Nation and Bobby Brown.”
After countless years of singing lessons, performing in dance troupes and cheerleading for her hometown Aussie Rules and basketball teams, Brown got serious about making her own music right after leaving high school.
She started working with Panos Liassi, a Melbourne-based London DJ/producer and one half of R&B/reggae partystarters, Supafly Inc. Such was their musical connection, she ended up following him to the UK to form a Fugees-style group called Fishbowl with two other members. They got signed to the Polydor UK label almost instantly, but sadly, in-fighting saw the act split before they even got to release a single.
“When I look back, it was a pretty dark time,” says Brown. “Getting signed is a big deal for a new artist. You think, woah, this is it! But it wasn’t…”
Like anyone suffering a break up, Brown threw herself into the party scene and one night, she had a dancefloor epiphany of her own: the DJ had the best job in the room and she wanted in.
After learning the basics from Panos, she scraped together enough money from her four-quid-an-hour job to buy her first pair of decks and started hitting up bars with her demo.
Her persistence finally paid off when she scored her first residency at London’s exclusive Kabaret nightclub. “I told the promoters I’d play my first gig for free and they could throw me off after the first song. I don’t think they even thought I’d turn up the next night. When I did, they were like ‘oh, you were serious?’ I ended up playing for an hour and they loved it.”
Arriving back in Australia at the end of 2006, Brown – in her own words – “worked her little tush off” to keep her DJ dream alive. After working the club circuit, she became the first female DJ in Australia to sign a major label record deal with Universal Music in 2008, released her first mix CD, Crave, and topped the year off opening for the Pussycat Dolls on their promo tour.
The Dolls’ management were so impressed with her DJ-with-dancers show, they asked her back for their full tour in 2009. And as word spread, Brown found herself supporting the cream of the pop crop, including Rihanna, Chris Brown, Lady Gaga and Britney Spears, with the latter inviting her on her European tour a year later.
Since then, Brown’s star has only gotten brighter. These days, she boasts weekly radio mixup shows in Australia and abroad (on the popular Radio FG France dance network), has sold over 150,000 copies of her Crave series (now up to Volume 5) and played events as dazzling and diverse as the official Grammy’s After Party and the Singapore F1 Grand Prix alongside Beyonce and the Black Eyed Peas. Along the way, she’s also clocked up more than 100,000 loyal Facebook fans.
Now, twenty years since that first giddy singing lesson, she’s ready to retake the mic and launch that long-overdue singing career. And she’s not afraid to say she’s a little bit nervous…
“It’s exciting, nerve-wracking and intimidating all at the same time,” she says. “I’ve been working on this for a while and I didn’t want to release anything until I was completely satisfied with it. I can’t wait for people to hear this song.”
Written and produced by dance duo More Mega, first single ‘We Run The Night’ is the perfect introduction to the talents and tastes of Havana Brown. A certified dancefloor detonator, the song’s as epic as it is euphoric with an insanely infectious breakdown that’s guaranteed to throw the crowd into overdrive.
“It’s created for both the clubs and the radio,” she reveals. “That was really important for me and it was very difficult to pull off. As for the track, it’s about how music makes me feel.”
Brown says her vast experience as a DJ playing other people’s tunes has also had a huge impact on how she approaches her own.
“In the past, I wasn’t quite sure what type of artist I want to be. But now, after DJing and Fishbowl falling apart, which has been a blessing in disguise, now I’m very confident about what I want.”
At the same time, she realises that some people can be just as dismissive of female pop singers as they are of female DJs. But that, she says, only motivates her more.
“It actually drives me more when people say bad things,” she confesses. “It doesn’t make me angry, it’s more ‘I’m just going to annoy you even more by going out there even harder.’”
“I know I’m putting myself out there in a different way,” she adds. “Originally I was behind the console playing other people’s music but now I’m up front performing my own. I’m revealing myself – it’s like being naked.”
So far, Havana’s career as a jet-setting DJ has been nothing short of dazzling, but now she’s ready to shine in a whole new light. Ladies and gentlemen, introducing Havana Brown the artist.
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1 cup plain flour
1 tablespoon baking powder
1 cup traditional rolled oats
2 tablespoons brown sugar
600ml buttermilk
2 eggs, lightly beaten
2 teaspoons vanilla extract
60g butter, melted, cooled
Extra melted butter, for cooking
Plain Greek-style yoghurt, to serve
Caramelised apple
50g butter
4 granny smith apples, peeled, cored, cut into thick wedges
1/2 cup brown sugar
1/2 cup pecans
Method
Step 1. Sift flour and baking powder into a bowl. Stir in oats and sugar. Make a well in centre. Whisk milk, egg and vanilla together in a jug. Add to well. Stir until just combined. Stand for 30 minutes. Drizzle with melted butter. Stir to combine.
Step 2. Heat a large non-stick frying pan over medium heat. Brush pan with extra melted butter. Spoon 1/4 cup mixture into pan, spreading with back of spoon to form a 12cm round pancake. Repeat to make another pancake. Cook for 2 to 3 minutes or until bubbles appear on surface. Turn and cook for 2 to 3 minutes or until cooked through. Transfer to a plate. Cover loosely with foil to keep warm. Repeat with remaining mixture, brushing pan with butter between batches.
Step 3. Make Caramelised apple: Melt butter in a frying pan over medium-high heat. Add apple. Cook, turning, for 3 to 4 minutes or until golden. Add sugar and 2 tablespoons cold water. Cook, stirring, for 2 to 3 minutes or until sugar has dissolved. Bring to the boil. Reduce heat to low. Simmer for 6 to 8 minutes or until slightly thickened. Add pecans. Stir to combine.
Step 4. Divide pancakes between plates. Top with yoghurt and apple mixture.
Hot Chocolate formed in Brixton, London, England in 1968. Members of the group included Errol Brown, Tony Connor, Larry Ferguson, Harvey Hinsley, Patrick Olive and Tony Wilson.
In 1969 the band started working on a reggae version of the John Lennon song “Give Peace A Chance”. Errol Brown had changed the lyrics for their version but was informed that he could not do this without John Lennon’s permission, so a copy of the demo was sent to the Beatles Apple record label to see what they thought of it. Fortunately, John loved the version and it was released on the Apple label.
The group was given the named ‘The Hot Chocolate Band’ by a secretary at the company, Mavis Smith, the band later changed it to just ‘Hot Chocolate’.
Towards the end of 1969 Mickie Most signed Errol and the cofounder of the group Tony Wilson as writers and recorded their songs with Mary Hopkins, Julie Felix and Herman’s Hermits before encouraging them to come up with a song for themselves. In 1970 Hot Chocolate, with Errol Brown as lead singer, released their first record entitled “Love Is Life” which reached number 6 in the charts. This was the start of a fifteen year career for the group who amassed a total of over 30 hits and also became the only group in the UK to have a hit for fifteen consecutive years.
In 1981 Hot Chocolate had the honour of being invited by Prince Charles and Lady Diana at their pre-wedding reception at Buckingham Palace which was attended by heads of Government and many members of European Royalty.
In 1986 Errol left the band and took time out to spend more time with his wife and then young children. The rest of the members of Hot Chocolate also took some time off to consider their future and in 1992 Patrick Olive, Harvey Hinsley and Tony Connor joined up with agent Richard Martin and decided to start touring again.
The band found a new singer Greg Bannis and keyboard players Andy Smith & Steve Ansell. Since 1992, the band has enjoyed years of continued success touring all around the world performing to many thousands of fans who love the music of Hot Chocolate. In 1997 the classic single “You Sexy Thing” reached number one in the charts after it was featured in the movie ‘The Full Monty’ and a new Hot Chocolate ‘Greatest Hits’ compilation released in October 1997 reached number 10 in the album charts.
In 2010 singer Kennie Simon replaced Greg Bannis on vocals creating what many are saying is the best sound ever.
One of only a few bands to achieve consistent commercial and critical success across three decades, U2 has charted success on its own terms on both the artistic and business sides of the music industry. From the band’s earliest days in Dublin, Ireland, to the present, U2 has broken free from the traditional limitations of what a rock band — and rock music — could and couldn’t do. By combining an original sound with honest lyrics and a challenging social message, U2 has earned the respect of their peers and critics, and an almost fanatical following of fans around the world. This is their story.
U2 formed in Dublin in the fall of 1976 after 14-year-old Larry Mullen, Jr. posted a note on the bulletin board at his high school seeking musicians for a new band. From the group of hopefuls that showed up at Mullen’s home that first day, a five-piece known originally as “Feedback” formed with Mullen (born October 31, 1961) on drums, Adam Clayton (born March 13, 1960) on bass, Paul Hewson (later nicknamed “Bono Vox” and eventually just “Bono”, born May 10, 1960) on vocals, and Dave Evans (later nicknamed “The Edge”, born August 8, 1961) on guitar. Dave’s brother, Dick, also played guitar for a while, but left Feedback very early on to join another Dublin band, the Virgin Prunes.
Feedback quickly changed their name to “The Hype,” and began rehearsing on weekends and after school as often as possible, forming genuine friendships and developing an undeniable chemistry in the process. After nearly 18 months of rehearsing, the band’s big break came at a talent show in Limerick, Ireland, in March, 1978. With CBS Records’ Jackie Hayden judging, U2 (they had just changed their name again) won the contest, earning a £500 prize and studio time to record their first demo.
Born George Alan O’Dowd on June 14, 1961, in Eltham, London, to parents Gerry and Dinah O’Dowd. George grew up in a lively household with his four brothers and one sister. Despite being part of the large working class Irish brood, George claims he had a lonely childhood, referring to himself as the “pink sheep” of the family.
To stand out in the male-dominated household, George created his own image on which he became dependent. “It didn’t bother me to walk down the street and to be stared at. I loved it,” he later reminisced.
George didn’t exactly conform to the typical school student stereotype, either. With a leaning more toward arts rather than science and math, he found it hard to fit within traditional masculine stereotypes. With his schoolwork suffering, and an ongoing battle of wits between him and his teachers, it wasn’t long before the school gave up and expelled George over his increasingly outlandish behavior and outrageous clothes and make-up.
Suddenly George found himself out of school, and without a job. He took any work he could find that paid him enough money to live on including a job picking fruit; a stint as a milliner; and even a gig as a make-up artist with the Royal Shakespeare Company, where he picked up some handy techniques for his own personal use.
Forming the Culture Club
By the 1980s, the New Romantic Movement had emerged in the U.K. Followers of the New Romantic period, influenced heavily by artists such as David Bowie, often dressed in grand caricatures of the 19th century English Romantic period. This included exaggerated upscale hairstyles and fashion statements. Men typically wore androgynous clothing and makeup, such as eyeliner.
The style became a calling card for George, whose flamboyance fit their beliefs perfectly. The attention the New Romantics attracted inevitably created many new headlines for the press. It wasn’t long before George was giving interviews based purely on his appearance.
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Lopez’s musical career also began to take off, as she released her debut Latin pop album, On the 6 in June 1999. The album, fueled by the success of her hit single, “If You Had My Love,” went platinum within two weeks, making Lopez—along with Ricky Martin—one of the most influential examples of the growing Latin cultural influence in pop music.
Early in 2000, Lopez was nominated for Best Dance Performance for her second hit single “Waiting for Tonight,” but lost the award to veteran diva Cher. In the summer of 2000, she starred in the science fiction-thriller The Cell, in which she plays a child psychologist helping to track a terrifying serial killer. The same year, she starred in Enough, a portrayal of spousal abuse.
The popularity of the multi-talented Lopez reached new heights in early 2001, when her album, J. Lo debuted at No. 1 on the pop charts, while her film, the romantic comedy The Wedding Planner, shot to the top spot at the box office in its first week of release. In December 2002, she performed another one-two punch with the release of the record This Is Me … Then and a starring role in the comedy Maid in Manhattan, which was a box office hit, if not a critical one. In 2003, she co-starred with Ben Affleck in the box office bomb, Gigli. Other projects included Jersey Girl (also with Affleck) and An Unfinished Life, in which she played a single mom taken in by her father-in-law played by Robert Redford. She also starred opposite Richard Gere inShall We Dance?, a remake of the top-grossing Japanese flick.
Ed Sheeran (born Edward Christopher Sheeran in Halifax, England on February 17, 1991) is a British singer-songwriter. After performing relentlessly around England in his teen years, Ed moved to Los Angeles with no money and no contacts, where he was discovered at The Foxxhole by Jamie Foxx. Foxx was so impressed, he let Ed use his studio to record his songs. In 2011, Ed independently released his first EP, No. 5 Collaborations Project, which led him to be signed by Asylum Records, an affiliate of Atlantic Records. Behind the hit singles “The A Team” and “Lego House,” his official debut album, +, has gone quintuple platinum in the United Kingdom in 2011 and won him several awards in England – Best British Male Solo Artist and British Breakthrough of the Year.
His single, “The A Team,” which reached #16 on the Billboard Hot 100. Ed has also written songs for One Direction, including the hit song “Little Things.”
Since collaborating with One Direction, Ed has become close friends with the members of the band, as well as Harry Styles’ ex, Taylor Swift. He has also been romantically linked with fellow British folk singer, Nina Nesbitt. In April 2014, Ed released a song that was about how Ellie Goulding cheated on him with One Direction singer Niall Horan.
Ed Sheeran Quotes:
“There’s no key to success, but the key to failure is trying to please everyone.”
“I think it’s good to remember that everything has been done before. The public has heard the stereotypical love songs a million times and they’ve heard the stereotypical life-or-death songs millions of times. It’s good to mix it up a little bit.”
“I don’t really do that whole single life thing. I’m kind of heads down and get things done.”
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A man in Scotland calls his son in London the day before their First Christmas Eve and says, “I hate to ruin your day but I have to tell you that your mother and I are divorcing; forty-five years of misery is enough.”
‘Dad, what are you talking about?’ the son screams it’s First Christmas and a time for family to stay together.
“We can’t stand the sight of each other any longer” the father says. “We’re sick of each other and I’m sick of talking about this, so you call your sister in Leeds and tell her.”
Franticly, the son calls his sister, who explodes on the phone. “Like hell they’re getting divorced!” she shouts, “I’ll take care of this!”
She calls Scotland immediately, and screams at her father “You are NOT getting divorced. Don’t do a single thing until I get there.. I’m calling my brother back, and we’ll both be there tomorrow. Until then, don’t do a thing, DO YOU HEAR ME?” and hangs up.
The old man hangs up his phone and turns to his wife. ‘Sorted! They’re coming for First Christmas – and they’re paying their own way.’
