Havana Brown – Spread A Little Love

Havana Brown – Spread A Little Love

Havana Brown - Spread A Little Love

Havana Brown always planned on being a singer – it’s just becoming a world-famous DJ kind of got in the way.

The Melbourne glamour has just released her sizzling debut single ‘We Run The Night’, but she first started singing at the modest age of six. Admittedly though, her ‘performances’ back then were a little different…

“I’d put together shows at family dinners and drag along my poor cousins, who didn’t know how to dance or sing. I don’t know how entertained everyone was,” Brown recalls with a laugh. “I was really into R&B, like Janet Jackson’s Rhythm Nation and Bobby Brown.”

After countless years of singing lessons, performing in dance troupes and cheerleading for her hometown Aussie Rules and basketball teams, Brown got serious about making her own music right after leaving high school.

She started working with Panos Liassi, a Melbourne-based London DJ/producer and one half of R&B/reggae partystarters, Supafly Inc. Such was their musical connection, she ended up following him to the UK to form a Fugees-style group called Fishbowl with two other members. They got signed to the Polydor UK label almost instantly, but sadly, in-fighting saw the act split before they even got to release a single.

“When I look back, it was a pretty dark time,” says Brown. “Getting signed is a big deal for a new artist. You think, woah, this is it! But it wasn’t…”

Like anyone suffering a break up, Brown threw herself into the party scene and one night, she had a dancefloor epiphany of her own: the DJ had the best job in the room and she wanted in.

After learning the basics from Panos, she scraped together enough money from her four-quid-an-hour job to buy her first pair of decks and started hitting up bars with her demo.

Her persistence finally paid off when she scored her first residency at London’s exclusive Kabaret nightclub. “I told the promoters I’d play my first gig for free and they could throw me off after the first song. I don’t think they even thought I’d turn up the next night. When I did, they were like ‘oh, you were serious?’ I ended up playing for an hour and they loved it.”

Arriving back in Australia at the end of 2006, Brown – in her own words – “worked her little tush off” to keep her DJ dream alive. After working the club circuit, she became the first female DJ in Australia to sign a major label record deal with Universal Music in 2008, released her first mix CD, Crave, and topped the year off opening for the Pussycat Dolls on their promo tour.

The Dolls’ management were so impressed with her DJ-with-dancers show, they asked her back for their full tour in 2009. And as word spread, Brown found herself supporting the cream of the pop crop, including Rihanna, Chris Brown, Lady Gaga and Britney Spears, with the latter inviting her on her European tour a year later.

Since then, Brown’s star has only gotten brighter. These days, she boasts weekly radio mixup shows in Australia and abroad (on the popular Radio FG France dance network), has sold over 150,000 copies of her Crave series (now up to Volume 5) and played events as dazzling and diverse as the official Grammy’s After Party and the Singapore F1 Grand Prix alongside Beyonce and the Black Eyed Peas. Along the way, she’s also clocked up more than 100,000 loyal Facebook fans.

Now, twenty years since that first giddy singing lesson, she’s ready to retake the mic and launch that long-overdue singing career. And she’s not afraid to say she’s a little bit nervous…

“It’s exciting, nerve-wracking and intimidating all at the same time,” she says. “I’ve been working on this for a while and I didn’t want to release anything until I was completely satisfied with it. I can’t wait for people to hear this song.”

Written and produced by dance duo More Mega, first single ‘We Run The Night’ is the perfect introduction to the talents and tastes of Havana Brown. A certified dancefloor detonator, the song’s as epic as it is euphoric with an insanely infectious breakdown that’s guaranteed to throw the crowd into overdrive.

“It’s created for both the clubs and the radio,” she reveals. “That was really important for me and it was very difficult to pull off. As for the track, it’s about how music makes me feel.”

Brown says her vast experience as a DJ playing other people’s tunes has also had a huge impact on how she approaches her own.

“In the past, I wasn’t quite sure what type of artist I want to be. But now, after DJing and Fishbowl falling apart, which has been a blessing in disguise, now I’m very confident about what I want.”

At the same time, she realises that some people can be just as dismissive of female pop singers as they are of female DJs. But that, she says, only motivates her more.

“It actually drives me more when people say bad things,” she confesses. “It doesn’t make me angry, it’s more ‘I’m just going to annoy you even more by going out there even harder.’”

“I know I’m putting myself out there in a different way,” she adds. “Originally I was behind the console playing other people’s music but now I’m up front performing my own. I’m revealing myself – it’s like being naked.”

So far, Havana’s career as a jet-setting DJ has been nothing short of dazzling, but now she’s ready to shine in a whole new light. Ladies and gentlemen, introducing Havana Brown the artist.

Bio and picture source…..www.getmusic.com.au

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Spread A Little Love – Havana Brown

Spread A Little Love – Havana Brown

Spread A Little Love - Havana Brown

Havana Brown always planned on being a singer – it’s just becoming a world-famous DJ kind of got in the way.

The Melbourne glamour has just released her sizzling debut single ‘We Run The Night’, but she first started singing at the modest age of six. Admittedly though, her ‘performances’ back then were a little different…

“I’d put together shows at family dinners and drag along my poor cousins, who didn’t know how to dance or sing. I don’t know how entertained everyone was,” Brown recalls with a laugh. “I was really into R&B, like Janet Jackson’s Rhythm Nation and Bobby Brown.”

After countless years of singing lessons, performing in dance troupes and cheerleading for her hometown Aussie Rules and basketball teams, Brown got serious about making her own music right after leaving high school.

She started working with Panos Liassi, a Melbourne-based London DJ/producer and one half of R&B/reggae partystarters, Supafly Inc. Such was their musical connection, she ended up following him to the UK to form a Fugees-style group called Fishbowl with two other members. They got signed to the Polydor UK label almost instantly, but sadly, in-fighting saw the act split before they even got to release a single.

“When I look back, it was a pretty dark time,” says Brown. “Getting signed is a big deal for a new artist. You think, woah, this is it! But it wasn’t…”

Like anyone suffering a break up, Brown threw herself into the party scene and one night, she had a dancefloor epiphany of her own: the DJ had the best job in the room and she wanted in.

After learning the basics from Panos, she scraped together enough money from her four-quid-an-hour job to buy her first pair of decks and started hitting up bars with her demo.

Her persistence finally paid off when she scored her first residency at London’s exclusive Kabaret nightclub. “I told the promoters I’d play my first gig for free and they could throw me off after the first song. I don’t think they even thought I’d turn up the next night. When I did, they were like ‘oh, you were serious?’ I ended up playing for an hour and they loved it.”

Arriving back in Australia at the end of 2006, Brown – in her own words – “worked her little tush off” to keep her DJ dream alive. After working the club circuit, she became the first female DJ in Australia to sign a major label record deal with Universal Music in 2008, released her first mix CD, Crave, and topped the year off opening for the Pussycat Dolls on their promo tour.

The Dolls’ management were so impressed with her DJ-with-dancers show, they asked her back for their full tour in 2009. And as word spread, Brown found herself supporting the cream of the pop crop, including Rihanna, Chris Brown, Lady Gaga and Britney Spears, with the latter inviting her on her European tour a year later.

Since then, Brown’s star has only gotten brighter. These days, she boasts weekly radio mixup shows in Australia and abroad (on the popular Radio FG France dance network), has sold over 150,000 copies of her Crave series (now up to Volume 5) and played events as dazzling and diverse as the official Grammy’s After Party and the Singapore F1 Grand Prix alongside Beyonce and the Black Eyed Peas. Along the way, she’s also clocked up more than 100,000 loyal Facebook fans.

Now, twenty years since that first giddy singing lesson, she’s ready to retake the mic and launch that long-overdue singing career. And she’s not afraid to say she’s a little bit nervous…

“It’s exciting, nerve-wracking and intimidating all at the same time,” she says. “I’ve been working on this for a while and I didn’t want to release anything until I was completely satisfied with it. I can’t wait for people to hear this song.”

Written and produced by dance duo More Mega, first single ‘We Run The Night’ is the perfect introduction to the talents and tastes of Havana Brown. A certified dancefloor detonator, the song’s as epic as it is euphoric with an insanely infectious breakdown that’s guaranteed to throw the crowd into overdrive.

“It’s created for both the clubs and the radio,” she reveals. “That was really important for me and it was very difficult to pull off. As for the track, it’s about how music makes me feel.”

Brown says her vast experience as a DJ playing other people’s tunes has also had a huge impact on how she approaches her own.

“In the past, I wasn’t quite sure what type of artist I want to be. But now, after DJing and Fishbowl falling apart, which has been a blessing in disguise, now I’m very confident about what I want.”

At the same time, she realises that some people can be just as dismissive of female pop singers as they are of female DJs. But that, she says, only motivates her more.

“It actually drives me more when people say bad things,” she confesses. “It doesn’t make me angry, it’s more ‘I’m just going to annoy you even more by going out there even harder.’”

“I know I’m putting myself out there in a different way,” she adds. “Originally I was behind the console playing other people’s music but now I’m up front performing my own. I’m revealing myself – it’s like being naked.”

So far, Havana’s career as a jet-setting DJ has been nothing short of dazzling, but now she’s ready to shine in a whole new light. Ladies and gentlemen, introducing Havana Brown the artist.

Bio and picture source…..www.getmusic.com.au

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Savage – Come Out – Wrath Of A Menace

Savage – Come Out – Wrath Of A Menace

Savage - Come Out - Wrath Of A Menace

Demetrius Savelio (born 28 June 1981), better known by his stage name Savage, is a New Zealand rapper of Samoan descent, and a former member of hip hop group the Deceptikonz. In 2009, he became the first New Zealand hip hop artist in history to have a commercial single (“Swing”) achieve platinum certification status in the United States for selling over one million copies.

The “International Breakthrough” accolade of the Pacific Music Awards was created in his honour. He is not to be confused with Savage of the underground Atlanta- and Bronx-based hip hop group Hard Knocks, which released one album in 1992. Savage joined with friends to form a hip-hop group, the Deceptikonz, in 1997. Success was not instant, however, as the group struggled through several talent shows and small concerts.

Their big break came in 1999 when they were signed to South Auckland (Papatoetoe) hip hop label Dawn Raid Entertainment. In 2002, the Deceptikonz released Elimination; a studio album that peaked at number four on the New Zealand albums chart. In late 2003, Savage featured as a member of the Deceptikonz on the hit single Stop, Drop and Roll; a number six hit on the New Zealand singles chart.

Read more…..en.wikipedia.org/wiki/Savage_(rapper)

Picture source…..www.stasheverything.com

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The A Team – Ed Sheeran

The A Team – Ed Sheeran

The A Team - Ed Sheeran

Ed Sheeran (born Edward Christopher Sheeran in Halifax, England on February 17, 1991) is a British singer-songwriter. After performing relentlessly around England in his teen years, Ed moved to Los Angeles with no money and no contacts, where he was discovered at The Foxxhole by Jamie Foxx. Foxx was so impressed, he let Ed use his studio to record his songs. In 2011, Ed independently released his first EP, No. 5 Collaborations Project, which led him to be signed by Asylum Records, an affiliate of Atlantic Records. Behind the hit singles “The A Team” and “Lego House,” his official debut album, +, has gone quintuple platinum in the United Kingdom in 2011 and won him several awards in England – Best British Male Solo Artist and British Breakthrough of the Year.

His single, “The A Team,” which reached #16 on the Billboard Hot 100. Ed has also written songs for One Direction, including the hit song “Little Things.”

Since collaborating with One Direction, Ed has become close friends with the members of the band, as well as Harry Styles’ ex, Taylor Swift. He has also been romantically linked with fellow British folk singer, Nina Nesbitt. In April 2014, Ed released a song that was about how Ellie Goulding cheated on him with One Direction singer Niall Horan.

Ed Sheeran Quotes:
There’s no key to success, but the key to failure is trying to please everyone.

I think it’s good to remember that everything has been done before. The public has heard the stereotypical love songs a million times and they’ve heard the stereotypical life-or-death songs millions of times. It’s good to mix it up a little bit.

I don’t really do that whole single life thing. I’m kind of heads down and get things done.

Bio and picture source…..hollywoodlife.com

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Just A Boy – Angus & Julia Stone

Just A Boy – Angus & Julia Stone

Just A Boy - Angus & Julia Stone

We argue about a lot of things, but never about music, says Julia about the relationship she has with her brother Angus. We don’t get on a lot of the time but when it comes to making music it’s always pretty simple for us.

It’s this language of music that forms the basis of Angus & Julia’s debut album A Book Like This a collection of thirteen heartfelt and organic songs that share their experiences and observations with listeners. Together, and with respective singer/songwriter talents, Angus & Julia Stone form two halves of a musical act whose words and music reveal a pure and genuine love of music, and a talent for telling beautiful and beguiling stories.

Raised in the northern beaches of Sydney, Australia, Angus & Julia’s love of music was inextricably intertwined with their experiences of growing up in their musical family. Music was an integral aspect of family life, with music as the bloodline through both their mother and father’s families. A long line of musicians made for an environment that encouraged the duo to express themselves using their voice and any of the many instruments lying around the house.

Mum listened to Janis Ian a lot, but a big part of our childhood was listening to dad’s covers band it was music from the 60’s, 70’s and 80’s, says Julia of their early influences. It was everything from Van Morrison to The Eagles and The Beatles. We didn’t know any of those bands, we just knew the songs as dad had sung them. It was only a couple of years ago that we listened to The White Album, and thought to ourselves, oh right, these guys are a band – dad didn’t write these songs! ‘

Music continued to play a role in their lives throughout their teenage years. Living at their dad’s place and being unemployed’ish ‘ a state that saw Angus working at odd-jobs as a labourer, and Julia teaching-trumpet the two musicians treated their music as a personal discovery and outlet for their thoughts and observations. When Julia returned home after a year of travelling she encouraged Angus to play his music at some local open-mic nights, and not long after, having helped him out with some backing harmonies, she joined him on stage to play some of her own compositions. That was a mere three years ago. Eventually it worked out that we were doing a split-set, says Julia. It seemed very normal for us and there was no reason not to record together also. It was just easy. Natural, I suppose.
Read more…..take40.com

Picture source…..hangout.altsounds.com

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Confessions of a Hooker

Confessions of a Hooker

A couple were lying in bed together on the morning of their tenth wedding anniversary when the wife says

‘Darling, as this is such a special occasion, I think that it is time I made a confession.

Before we were married I was a hooker for eight years.’

The husband ponders for a moment and then looks into his wife’s eyes and

says,

‘My love, you have been a perfect wife for ten years, I cannot hold your past against you,
in fact maybe you could show me a few tricks of the trade and spice up our sex life a bit?’

She said ‘I don’t think you understand,

My name was Brian and I played rugby for New Zealand.

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Confessions Of A Hooker

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A Little Piece Of Mexico Rainforest Tea Set

A Little Piece Of Mexico Rainforest Tea Set

A Little Piece Of Mexico Rainforest Tea Set

Australian Specialty Stores In One Place

A Little Piece of Mexico is a family-run business with Mexican and Australian origins. All pieces have been hand selected by our family in Mexico for A Little Piece of Mexico. The heart and soul of our business is to share our admiration of the works produced by Mexican Artisans and to make it available to the Australian market.

At Le Domaine, we are committed to bringing you the best brands and products from local Australian specialty stores, delivered through one amazing online shopping experience.
100% Australian owned and operated, Le Domaine is a destination shopping mall where you are invited to experience an Australian way of shopping indulgence.

We have ensured that all of our sellers within the shopping mall provide a comprehensive returns And refund policy, adhering to Australian retail best practice.
You will be sure to shop with confidence at Le Domaine.Because we started as a small specialty retailer ourselves, we totally understand the hardship of being a small business owner.
Le Domaine is our unique way to express support to the local retail community.

When you shop at Le Domaine, you are helping numerous local businesses and business owners raise their family.
In a modern world where technology is growing at such a fast pace with increasing capitalism in Australia, many small specialty retailers are finding it hard to compete with the big corporations.

At Le Domaine, we want to become the pioneers in building a healthy retail ecosystem by pulling together specialty retailers.
Collectively, we can provide great service, products, pricing and most importantly, an exciting shopping experience for everyone.
To ensure that you are offered a wide range of exciting products, we are constantly signing up new retailers daily around Australia to join the Le Domaine shopping mall.

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Everyone’s a winner – Hot Chocolate

Everyone’s a winner – Hot Chocolate

Everyone's a winner - Hot Chocolate

Hot Chocolate formed in Brixton, London, England in 1968. Members of the group included Errol Brown, Tony Connor, Larry Ferguson, Harvey Hinsley, Patrick Olive and Tony Wilson.
In 1969 the band started working on a reggae version of the John Lennon song “Give Peace A Chance”. Errol Brown had changed the lyrics for their version but was informed that he could not do this without John Lennon’s permission, so a copy of the demo was sent to the Beatles Apple record label to see what they thought of it. Fortunately, John loved the version and it was released on the Apple label.
The group was given the named ‘The Hot Chocolate Band’ by a secretary at the company, Mavis Smith, the band later changed it to just ‘Hot Chocolate’.
Towards the end of 1969 Mickie Most signed Errol and the cofounder of the group Tony Wilson as writers and recorded their songs with Mary Hopkins, Julie Felix and Herman’s Hermits before encouraging them to come up with a song for themselves. In 1970 Hot Chocolate, with Errol Brown as lead singer, released their first record entitled “Love Is Life” which reached number 6 in the charts. This was the start of a fifteen year career for the group who amassed a total of over 30 hits and also became the only group in the UK to have a hit for fifteen consecutive years.
In 1981 Hot Chocolate had the honour of being invited by Prince Charles and Lady Diana at their pre-wedding reception at Buckingham Palace which was attended by heads of Government and many members of European Royalty.
In 1986 Errol left the band and took time out to spend more time with his wife and then young children. The rest of the members of Hot Chocolate also took some time off to consider their future and in 1992 Patrick Olive, Harvey Hinsley and Tony Connor joined up with agent Richard Martin and decided to start touring again.
The band found a new singer Greg Bannis and keyboard players Andy Smith & Steve Ansell. Since 1992, the band has enjoyed years of continued success touring all around the world performing to many thousands of fans who love the music of Hot Chocolate. In 1997 the classic single “You Sexy Thing” reached number one in the charts after it was featured in the movie ‘The Full Monty’ and a new Hot Chocolate ‘Greatest Hits’ compilation released in October 1997 reached number 10 in the album charts.
In 2010 singer Kennie Simon replaced Greg Bannis on vocals creating what many are saying is the best sound ever.

Bio source…..www.hot-chocolate.co.uk

Picture source…..i.ytimg.com

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Jace Everett – Between A Father And A Son

Jace Everett – Between A Father And A Son

Bad Things - Jace Everett

Terra Rosa is Jace Everett’s most ambitious album to date, a raucous, revelatory song cycle exploring tales and themes from the Old and New Testaments. “The truth is, all of these songs are about me,” he says, “trying to figure out what I believe and don’t believe. It’s me going back to my closet and pulling all the skeletons out, looking at the bones and seeing what’s there.” The Nashville-based singer/songwriter’s deconstructs and re-imagines the Book through his own unique perspective, examining matters of love, death, faith, and contemporary America via these most primal of metaphors. There are allusions to such Biblical greatest hits as Sodom & Gomorrah, Jonah and the Whale, and Peter the Rock, alongside deep cuts like “Sapphira,” a righteous romp through trials, tithing, and divine judgment. Everett’s musical approach is as daring and wide-ranging as his subject demands, a hallucinatory hybrid of blues, country, boogie, gospel, and rock – in short, the span and spectrum of American music in all its glory. Yet despite its epic scope, Terra Rosa is at heart an intensely intimate album, its invention and irreverence all reflecting Everett’s own struggles with sin and spirit.

The old time religion is forever embedded in the very fiber of Everett’s being, as much a part of him as his distinctive baritone and gift for deeply personal song-craft. Born in Evansville, Indiana and raised in Grapevine, Texas, he began life as an Episcopalian but his folks eventually “decided they wanted some peppier music” and found their way to an Evangelical church. “Riddled with sin at 12 years old,” Everett was compelled to come forward for the alter call and was, oh yes, saved. Pious to a fault through most of his teens, he avoided secular culture as best he could until his guard began to fall.

“By the time I was 18, I was trying really hard to not be an atheist,” he says. “By the time I was 19, I was trying even harder to be an atheist. That didn’t pan out either – apparently, I lacked the faith.”

Everett soon made his way to Music City USA and scored his first #1 co-writing Josh Turner’s RIAA platinum certified 2006 country smash, “Your Man.” He officially became an overnight sensation two years later when “Bad Things” – the spooky, sultry highlight of his self-titled 2006 debut album – was featured as theme song to HBO’s blockbuster series, True Blood. “Bad Things” proved a worldwide hit single, as well as a multiple BMI Cable Television Music Award winner, and helped propel the show to its extraordinary long-running success. A series of albums followed, each more adventurous and acclaimed than its predeccessor, including 2010’s Red Revelations and 2011’s Mr. Good Times. Everett further tightened his gritty, groovy sound with frequent international tours, raising up a fervent fan following at every turn.

“I’m a lucky dude, that’s for sure,” he says. “Every time I start to complain about my life i just remember that I was literally a ditch digger at one point and this is better than that. No offense to the ditch diggers out there – I salute their work, ditches need to be dug.”

Widely celebrated in songwriting circles as a master craftsman, Everett was teamed with Stephany Delray in winter 2011 and together they penned the haunting “No Place To Hide.” Co-writing the saga of Cain and Abel lit a spark inside Everett, stirring him to try his hand at another Genesis story, “In The Garden.” Then, just like in the Book itself, the flood came…

“Within a few weeks I had written eight or nine songs,” he says. “I got really into it. It was the first time, in a long time, that I’d been really excited to write songs, because I knew what I was writing them for. To have a real purpose and a goal for what I was doing, that was inspiring for me.”

The Bible indeed proved a “fecund swamp of material” for Everett, who began recording the new songs at his own home studio before joining up with longtime producer Brad Jones (Josh Rouse, Hayes Carll, Chuck Prophet) at Nashville’s Alex the Great Recording in June 2012. Everett led his crack band – multi-instrumentalists Dan Cohen and Chris Raspante, bassist James Cook, and drummer Derek Mixon – through a 7-day session in which they tackled and traversed a span of sonic stylings, from Appalachian folk (“Pennsylvania”) to Zappa-esque psychedelia (“Lloyd’s Summer Vacation”).

“I don’t really feel like I have a responsibility to a genre,” he says. “What is really important to me is my responsibility to my writing and my performing, not dependent on some pre-ordained genre that I have to sit in for market reasons or whatever. Country is part of who I am, just like rock ‘n’ roll is, just like pop is, it’s all just part of who I am.”

Read more…..www.jaceeverett.com

Picture source…..userserve-ak.last.fm

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It started with a Kiss – Hot Chocolate

It started with a Kiss – Hot Chocolate

You sexy thing - Hot Chocolate

Hot Chocolate formed in Brixton, London, England in 1968. Members of the group included Errol Brown, Tony Connor, Larry Ferguson, Harvey Hinsley, Patrick Olive and Tony Wilson.
In 1969 the band started working on a reggae version of the John Lennon song “Give Peace A Chance”. Errol Brown had changed the lyrics for their version but was informed that he could not do this without John Lennon’s permission, so a copy of the demo was sent to the Beatles Apple record label to see what they thought of it. Fortunately, John loved the version and it was released on the Apple label.
The group was given the named ‘The Hot Chocolate Band’ by a secretary at the company, Mavis Smith, the band later changed it to just ‘Hot Chocolate’.
Towards the end of 1969 Mickie Most signed Errol and the cofounder of the group Tony Wilson as writers and recorded their songs with Mary Hopkins, Julie Felix and Herman’s Hermits before encouraging them to come up with a song for themselves. In 1970 Hot Chocolate, with Errol Brown as lead singer, released their first record entitled “Love Is Life” which reached number 6 in the charts. This was the start of a fifteen year career for the group who amassed a total of over 30 hits and also became the only group in the UK to have a hit for fifteen consecutive years.
In 1981 Hot Chocolate had the honour of being invited by Prince Charles and Lady Diana at their pre-wedding reception at Buckingham Palace which was attended by heads of Government and many members of European Royalty.
In 1986 Errol left the band and took time out to spend more time with his wife and then young children. The rest of the members of Hot Chocolate also took some time off to consider their future and in 1992 Patrick Olive, Harvey Hinsley and Tony Connor joined up with agent Richard Martin and decided to start touring again.
The band found a new singer Greg Bannis and keyboard players Andy Smith & Steve Ansell. Since 1992, the band has enjoyed years of continued success touring all around the world performing to many thousands of fans who love the music of Hot Chocolate. In 1997 the classic single “You Sexy Thing” reached number one in the charts after it was featured in the movie ‘The Full Monty’ and a new Hot Chocolate ‘Greatest Hits’ compilation released in October 1997 reached number 10 in the album charts.
In 2010 singer Kennie Simon replaced Greg Bannis on vocals creating what many are saying is the best sound ever.

Bio source…..www.hot-chocolate.co.uk

Picture source…..i.ytimg.com

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