Culture Club – Church Of The Poison Mind

Culture Club – Church Of The Poison Mind

Culture Club - Church Of The Poison Mind
Born George Alan O’Dowd on June 14, 1961, in Eltham, London, to parents Gerry and Dinah O’Dowd. George grew up in a lively household with his four brothers and one sister. Despite being part of the large working class Irish brood, George claims he had a lonely childhood, referring to himself as the “pink sheep” of the family.

To stand out in the male-dominated household, George created his own image on which he became dependent. “It didn’t bother me to walk down the street and to be stared at. I loved it,” he later reminisced.

George didn’t exactly conform to the typical school student stereotype, either. With a leaning more toward arts rather than science and math, he found it hard to fit within traditional masculine stereotypes. With his schoolwork suffering, and an ongoing battle of wits between him and his teachers, it wasn’t long before the school gave up and expelled George over his increasingly outlandish behavior and outrageous clothes and make-up.

Suddenly George found himself out of school, and without a job. He took any work he could find that paid him enough money to live on including a job picking fruit; a stint as a milliner; and even a gig as a make-up artist with the Royal Shakespeare Company, where he picked up some handy techniques for his own personal use.

Forming the Culture Club
By the 1980s, the New Romantic Movement had emerged in the U.K. Followers of the New Romantic period, influenced heavily by artists such as David Bowie, often dressed in grand caricatures of the 19th century English Romantic period. This included exaggerated upscale hairstyles and fashion statements. Men typically wore androgynous clothing and makeup, such as eyeliner.

The style became a calling card for George, whose flamboyance fit their beliefs perfectly. The attention the New Romantics attracted inevitably created many new headlines for the press. It wasn’t long before George was giving interviews based purely on his appearance.

Read More…..www.biography.com

Picture Source….. scrapetv.com

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Miter Joints – Close the Gap

Miter Joints – Close the Gap

Perfect miter joints are the most challenging part of making picture frames.
Even though it’s the most challenging, if you follow these steps and take your time you’ll be able to produce perfect miter joints every time!
Making thousands of miter joints over the years, I have refined my process over and over until I got to the point of making perfect miters joints every time.

Below you’ll find the Golden Rules according to me – haha – of course there may be a difference of opinion out there some where.

It works for me and will work for you!
Miter Joints - Close the Gap
Golden Rule #1 Your miter saw or the miter gauge on your table saw must be set to EXACTLY 45°
Golden Rule #2. The opposing rails must be IDENTICAL in length
Golden Rule #3. You must use the EXACT same process when cutting miter joints on the rails; don’t change the stop blocks, don’t change the angle of the miter gauge, don’t turn your miter saw to “the other side” to cut the opposing miter.
Don’t let the rails move at all during the cutting process.
When I say exact same process I mean exact same process!
Break any of these Golde Rules and you, along with anyone else who sees your picture frame, will know you took the easy way out!!
If you follow these rules you will turn into a Miter Master!
Using a carpenter square will ensure that you have a 45° angle.

Lay it up against the teeth of the blade and the fence. It should be flush on both sides.

If there’s a gap –  you’re not at 45°.

Adjust the saw again and make sure it is exact.

Effort now, will save you later!

We know from the previous process of milling our wood, that the rails are the same thickness and currently the same length.
Before we set the stop blocks and cut the rails to final length, our first move will be cutting a miter on each end of both of the 36 inch rails.
Clamp your rails in place before making the cuts, this ensures there is absolutely no movement as the rail is being cut.
Make your first cut with the face side of the rail up (the inside of the rail, where your cove is, should always be facing the blade when making your miter cuts).
Make the second cut by simply flipping the rail end over end and cutting the opposite miter.
Repeat these steps on the second rail.
Do not change the process at all.

Read more……www.picture-frame-it-yourself.com

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U2 – Where The Streets Have No Name

U2 – Where The Streets Have No Name

U2 - Where The Streets Have No Name

One of only a few bands to achieve consistent commercial and critical success across three decades, U2 has charted success on its own terms on both the artistic and business sides of the music industry. From the band’s earliest days in Dublin, Ireland, to the present, U2 has broken free from the traditional limitations of what a rock band — and rock music — could and couldn’t do. By combining an original sound with honest lyrics and a challenging social message, U2 has earned the respect of their peers and critics, and an almost fanatical following of fans around the world. This is their story.

U2 formed in Dublin in the fall of 1976 after 14-year-old Larry Mullen, Jr. posted a note on the bulletin board at his high school seeking musicians for a new band. From the group of hopefuls that showed up at Mullen’s home that first day, a five-piece known originally as “Feedback” formed with Mullen (born October 31, 1961) on drums, Adam Clayton (born March 13, 1960) on bass, Paul Hewson (later nicknamed “Bono Vox” and eventually just “Bono”, born May 10, 1960) on vocals, and Dave Evans (later nicknamed “The Edge”, born August 8, 1961) on guitar. Dave’s brother, Dick, also played guitar for a while, but left Feedback very early on to join another Dublin band, the Virgin Prunes.

Feedback quickly changed their name to “The Hype,” and began rehearsing on weekends and after school as often as possible, forming genuine friendships and developing an undeniable chemistry in the process. After nearly 18 months of rehearsing, the band’s big break came at a talent show in Limerick, Ireland, in March, 1978. With CBS Records’ Jackie Hayden judging, U2 (they had just changed their name again) won the contest, earning a £500 prize and studio time to record their first demo.

Bio source…..www.atu2.com

Picture source…..gracenotesbysarah

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Rock The Boat – The Hues Corporation

Rock The Boat – The Hues Corporation

Rock The Boat - The Hues Corporation

Formed in 1969 in Los Angeles, California, USA. Their name was taken as a pun on the Howard Hughes billion-dollar corporation. They had been performing for five years when their biggest hit, ‘Rock The Boat’, arrived.

The vocal trio consisted of Hubert Ann Kelly (24 April 1947, Fairchild, Alabama, USA; soprano), St. Clair Lee (b. Bernard St. Clair Lee Calhoun Henderson, 24 April 1944, San Francisco, California, USA; baritone) and Fleming Williams (b. Flint, Michigan, USA; tenor). Their first record, ‘Goodfootin’’, was recorded for Liberty Records in 1970 but failed to hit.

They signed with RCA Records in 1973 and made the charts with a song called ‘Freedom For The Stallion’. ‘Rock The Boat’, originally a forgotten album track, was released in 1974 as the next single and reached number 1 in the US pop charts and number 6 in the UK, becoming one of the first significant disco hits. Tommy Brown (b. Birmingham, Alabama, USA) replaced Williams after the single hit and their only other chart success came later that same year with ‘Rockin’ Soul’, which peaked at number 18 in the US chart and reached the Top 30 in the UK.

The group continued to record into the late 70s, but they were unable to repeat their earlier success. However, in 1983 ‘Rock The Boat’ made another chart appearance when Forrest took the single to the UK Top 5 position.

Bio source…..www.oldies.com

Picture source…..www.soulwalking.co.uk

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Bob Marley and The Wailers – Buffalo Soldier

Bob Marley and The Wailers – Buffalo Soldier

Bob Marley and The Wailers - Buffalo Soldier

As a poet, prophet and purveyor of Jamaican culture, he shattered musical boundaries around the world.

Bob Marley was born in a small village called Nine Miles in Jamaica. The son of British Naval Officer and Jamaican woman called Cedella, Marley rarely saw his father due to his mother’s family and their disapproval of his parents relationship.

By the time he had turned 16, Marley had recorded his first single ‘Judge Not’, and in 1963, he formed The Wailers with Peter Tosh, Bunny Livingstone, Junior Braithwaite, and Beverly Kelso. The band then scored their first number one in Jamaica with ‘Simmer Down’ on the Coxsone label.

When Braithwaite and Kelso left the group around 1965, the Wailers continued as a trio, Marley, Tosh, and Livingstone trading leads. In spite of the popularity of singles like ‘Rude Boy’, the artists received few or no royalties, and in 1966 they disbanded.

After marrying his girlfriend Rita Anderson, Marley spent most of the following year working in a factory in Newark in the United States, where his mother had moved in 1963. Upon his return to Jamaica, the Wailers reunited and recorded for Coxsone with little success. During this period, the Wailers devoted themselves to the religious sect of Rastafari.

In 1969, they began a three-year association with Lee “Scratch” Perry, who directed them to play their own instruments and expanded their line-up to include Aston and Carlton Barrett, formerly the rhythm section of Perry’s studio band, the Upsetters. Some of the records they made with Perry – like ‘Trenchtown Rock’ – were locally very popular, but so precarious was the Jamaican record industry that the group seemed no closer than before to establishing steady careers. It formed an independent record company, Tuff Gong, in 1971, but the venture foundered when Livingstone was jailed and Marley got caught in a contract commitment to American pop singer Johnny Nash, who took him to Sweden to write a film score.

Their breakthrough came in 1972 when Chris Blackwell – who had released ‘Judge Not’ in England in 1963 – signed the Wailers to Island Records and advanced them the money to record themselves in Jamaica. The first result of this new contract was 1973’s ‘Catch A Fire’, the breakthrough album that saw the band reach an international audience for the first time. It was followed a year later by Burnin’, which included the songs “Get Up, Stand Up” and “I Shot The Sheriff”.

The band toured heavily during this period, and Marley expanded the instrumental section of the group and bringing in a female vocal trio, the I-Threes, which included his wife, Rita. Now called Bob Marley and the Wailers, they toured Europe, Africa, and the Americas, building especially strong followings in the U.K., Scandinavia, and Africa. They had U.K. Top 40 hits with ‘No Woman No Cry’ (1975), ‘Exodus’ (1977), ‘Waiting in Vain’ (1977), and ‘Satisfy My Soul’ (1978).

In 1976, Marley was shot by gunmen during the Jamaican election campaign, but survived and continued to soar in popularity until his 1981 death due to brain, lung and stomach cancer. In 1987, both Peter Tosh and longtime Marley drummer Carlton Barrett were murdered in Jamaica during separate incidents. Rita Marley continues to tour, record, and run the Tuff Gong studios and record company.

Picture source…..foreverb.rxmedicalweb.netdna-cdn.com

Bio source……www.thebiographychannel.co.uk

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Bob Marley and The Wailers – Stir it up

Bob Marley and The Wailers – Stir it up

Bob Marley and The Wailers - Stir it up

As a poet, prophet and purveyor of Jamaican culture, he shattered musical boundaries around the world.

Bob Marley was born in a small village called Nine Miles in Jamaica. The son of British Naval Officer and Jamaican woman called Cedella, Marley rarely saw his father due to his mother’s family and their disapproval of his parents relationship.

By the time he had turned 16, Marley had recorded his first single ‘Judge Not’, and in 1963, he formed The Wailers with Peter Tosh, Bunny Livingstone, Junior Braithwaite, and Beverly Kelso. The band then scored their first number one in Jamaica with ‘Simmer Down’ on the Coxsone label.

When Braithwaite and Kelso left the group around 1965, the Wailers continued as a trio, Marley, Tosh, and Livingstone trading leads. In spite of the popularity of singles like ‘Rude Boy’, the artists received few or no royalties, and in 1966 they disbanded.

After marrying his girlfriend Rita Anderson, Marley spent most of the following year working in a factory in Newark in the United States, where his mother had moved in 1963. Upon his return to Jamaica, the Wailers reunited and recorded for Coxsone with little success. During this period, the Wailers devoted themselves to the religious sect of Rastafari.

In 1969, they began a three-year association with Lee “Scratch” Perry, who directed them to play their own instruments and expanded their line-up to include Aston and Carlton Barrett, formerly the rhythm section of Perry’s studio band, the Upsetters. Some of the records they made with Perry – like ‘Trenchtown Rock’ – were locally very popular, but so precarious was the Jamaican record industry that the group seemed no closer than before to establishing steady careers. It formed an independent record company, Tuff Gong, in 1971, but the venture foundered when Livingstone was jailed and Marley got caught in a contract commitment to American pop singer Johnny Nash, who took him to Sweden to write a film score.

Their breakthrough came in 1972 when Chris Blackwell – who had released ‘Judge Not’ in England in 1963 – signed the Wailers to Island Records and advanced them the money to record themselves in Jamaica. The first result of this new contract was 1973’s ‘Catch A Fire’, the breakthrough album that saw the band reach an international audience for the first time. It was followed a year later by Burnin’, which included the songs “Get Up, Stand Up” and “I Shot The Sheriff”.

The band toured heavily during this period, and Marley expanded the instrumental section of the group and bringing in a female vocal trio, the I-Threes, which included his wife, Rita. Now called Bob Marley and the Wailers, they toured Europe, Africa, and the Americas, building especially strong followings in the U.K., Scandinavia, and Africa. They had U.K. Top 40 hits with ‘No Woman No Cry’ (1975), ‘Exodus’ (1977), ‘Waiting in Vain’ (1977), and ‘Satisfy My Soul’ (1978).

In 1976, Marley was shot by gunmen during the Jamaican election campaign, but survived and continued to soar in popularity until his 1981 death due to brain, lung and stomach cancer. In 1987, both Peter Tosh and longtime Marley drummer Carlton Barrett were murdered in Jamaica during separate incidents. Rita Marley continues to tour, record, and run the Tuff Gong studios and record company.

Picture source…..foreverb.rxmedicalweb.netdna-cdn.com

Bio source……www.thebiographychannel.co.uk

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Aretha Franklin – Think – The Blues Brothers

Aretha Franklin – Think – The Blues Brothers

Aretha Franklin - Think The Blues Brothers

Aretha Franklin is not only one of the giants of soul music; she is one of the giants of American pop. In a career spanning more than forty years, she continues to find ways to inspire and amaze.

Aretha Louise Franklin was born to parents Reverend C.L. Franklin, a Baptist preacher, and Barbara Siggers Franklin, a gospel singer. The third of four children, Franklin’s early life was characterised by trouble and loss.

At the age of six, the young Aretha’s parents separated and her mother left the family. Four years later her mother would die of a heart attack. The family moved to Buffalo, New York, and then to Detroit, Michigan, with the Reverend’s preaching assignments. He eventually settled at Detroit’s New Bethel Baptist Church and his renown as a preacher grew to national prominence.

Aretha was recognised as a talented musician at an early age. She was largely self-taught, despite her father offering to arrange piano lessons for her, and by her early teens she was seen as something of a child prodigy. A gifted pianist and with a voice that already contained the power that would become her trademark, Aretha travelled and performed with her father’s gospel show and sang before his congregation in Detroit.

Her major influence early-on was her aunt Clara Ward who was a famous devotional singer. Aretha’s first album, ‘The Gospel Soul of Aretha Franklin’, was recorded in 1956 when she was just 14.

At 15, Aretha gave birth to her first son Clarence and her second Edward followed two years later. She has never revealed the identity of either child’s father by name and the two were brought up by Franklin’s grandmother Rachel so she could pursue her music career.

When she returned to singing several years later she changed direction and pursued heroes like Dinah Washington into pop territory. She travelled to New York in 1960, found herself a manager, and began recording demo tapes. After approaches from several labels including Motown and RCA, Aretha signed to Columbia records releasing her first album for the company in late 1960.

Franklin did not find success with Columbia, however. In 1961, her single ‘Rock-A-Bye Your Baby’ made it to number 37 on the pop charts and she had a few top tens on the R&B charts but the jazz-influenced style she used failed to showcase the talent so evident in her gospel music.

She and manager Ted White, who she had married in 1961, decided a move was in order and she left Columbia in 1966 and was immediately signed by Atlantic.

Producer Jerry Wexler recognised where Franklin’s power lay and took her to record at the Florence Alabama Musical Emporium with musicians adept in soul, blues and gospel, including a guest spot for a young guitarist by the name of Eric Clapton. Aretha recorded the single ‘I Never Loved A Man (The Way I Love You)’ which became a massive hit. The song spent seven weeks at number one on the R&B charts and reached the top ten on the Hot 100.

The public was ready for an album but the only thing missing was Aretha. After recording ‘I Never Loved A Man’, husband White had had a drunken row with one of the session musicians and he and Aretha had disappeared. Franklin popped up in New York some weeks later and she was soon back to work.

1967 and 1968 were the years that established and cemented Franklin’s greatness with a string of hit singles that would become enduring classics. In 1967, the album ‘I Never Loved A Man (The Way I Love You)’ was released. The first song on the album, ‘Respect’, a remake of an Otis Redding song, reached number one on both the R&B and pop charts and won Aretha her first two Grammy awards.

She had top tens with ‘Baby I love You’, ‘Chain of Fools’, and ‘(You Make Me Feel Like) A Natural Woman’. Rolling Stone’s Album Guide has said I Never Loved a Man the Way I Loved You would be remembered as “the greatest single soul album of all time.”

In 1968, Franklin was enlisted to perform at the funeral of assassinated civil rights leader Martin Luther King, who was a good friend of her father’s. Her rendition of ‘Precious Lord’ was later described by her producer at Atlantic Records, Jerry Wexler, as “a holy blend of truth and unspeakable tragedy”. She also sang at the troubled 1968 Democratic Convention and at the 1972 funeral of gospel great Mahalia Jackson. In 1969 she divorced White. Their son, Ted, born in 1964, is the singer’s musical director and guitarist in her touring band.

Between 1969 and 1976, Franklin had a relationship with her road manager Ken Cunningham. She gave birth to their son Kecalf on 28 March 1970.

Franklin’s 1972 album ‘Amazing Grace’ became the best selling gospel album with over two million sales. Franklin’s success continued into the mid 1970s winning eight consecutive Grammy awards for Best R&B Female Vocal Performance.

Massive-selling classics like ‘Think’, ‘I Say A Little Prayer’, and ‘Spanish Harlem’ earned her the title ‘The Queen of Soul’ and her dominance of the genre was unquestioned.

By 1975, Franklin’s sound was beginning to become eclipsed by disco and an emerging set of young black singers such as Chaka Khan and Donna Summer. Her sales slumped and though there was a brief respite with 1976’s ‘Sparkle’, a string of failures in the late 1970s saw her contract with Atlantic lapse in 1979.

In 1978, Franklin married actor Glynn Turman though they would divorce six years later. At the same time as her decline in the music world, Aretha was saddled with a massive tax bill and then in 1979, her father was shot during a burglary at his home in Detroit. C.L. Franklin went into a coma from which he never emerged, dying in 1984.

Aretha’s career was revived in 1980 with her cameo in the film ‘The Blues Brothers’, acting and singing ‘Think’ alongside comedians James Belushi and Dan Akroyd, and her signing to Arista Records. At Arista, Franklin enjoyed success with the single and album of the same name, ‘Jump To It’. The album enjoyed a long run at number one on the R&B charts and was nominated for a Grammy.

In 1985, Aretha released another smash-hit album with the slick pop-sounding ‘Who’s Zoomin’ Who?’ featuring the single ‘Freeway of Love’ and a collaboration with rock band Eurythmics on ‘Sisters Are Doing It For Themselves’. The album became Aretha’s biggest-selling album ever.

Her 1986 album ‘Aretha’ also charted well with the George Michael duet ‘I Knew You Were Waiting (For Me)’ hitting number one on the pop charts. Two years later, Franklin was inducted into the Rock and Roll Hall of Fame and was awarded an honorary doctorate in musicology by the University of Detroit.

A number of gospel albums in the late 1980s and early 1990s failed to make any real impact, although ‘A Deeper Love’, a track she provided for the 1993 film ‘Sister Act 2’, was a hit. 1998 was something of a renaissance year with Franklin reprising her role in The Blues Brothers sequel ‘Blues Brothers 2000’. The same year she released ‘A Rose Is Still A Rose’, an album which blended Hip Hop and Soul and which was very well received on both the pop and R&B charts.

In 2003, Franklin released her last album on Arista, ‘So Damn Happy’, and left the label to start her own company, Aretha Records. In 2005, she was awarded the Presidential Medal of Freedom and also became the second woman inducted into the UK Music Hall of Fame.

The first album to be released since forming her Aretha’s Records label was a duets compilation entitled ‘Jewels in the Crown: All-Star Duets with the Queen’, in 2007.

Then, in 2008, the singing legend released her first ever holiday-themed album entitled ‘This Christmas, Aretha’.

At the 50th Annual Grammy Awards in 2008, Aretha was awarded her 18th Grammy.

She has continued to be recognised for her contribution to the music industry, and on 23 May 2010, she was given an Honorary Doctorate in Music from Yale University. Read more…..www.thebiographychannel.co.uk

Picture source…..www.brooklynvegan.com

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Jennifer Lopez – On The Floor ft Pitbull

Jennifer Lopez – On The Floor ft Pitbull

Jennifer Lopez - On The Floor ft Pitbull

Lopez’s musical career also began to take off, as she released her debut Latin pop album, On the 6 in June 1999. The album, fueled by the success of her hit single, “If You Had My Love,” went platinum within two weeks, making Lopez—along with Ricky Martin—one of the most influential examples of the growing Latin cultural influence in pop music.

Early in 2000, Lopez was nominated for Best Dance Performance for her second hit single “Waiting for Tonight,” but lost the award to veteran diva Cher. In the summer of 2000, she starred in the science fiction-thriller The Cell, in which she plays a child psychologist helping to track a terrifying serial killer. The same year, she starred in Enough, a portrayal of spousal abuse.

The popularity of the multi-talented Lopez reached new heights in early 2001, when her album, J. Lo debuted at No. 1 on the pop charts, while her film, the romantic comedy The Wedding Planner, shot to the top spot at the box office in its first week of release. In December 2002, she performed another one-two punch with the release of the record This Is Me … Then and a starring role in the comedy Maid in Manhattan, which was a box office hit, if not a critical one. In 2003, she co-starred with Ben Affleck in the box office bomb, Gigli. Other projects included Jersey Girl (also with Affleck) and An Unfinished Life, in which she played a single mom taken in by her father-in-law played by Robert Redford. She also starred opposite Richard Gere inShall We Dance?, a remake of the top-grossing Japanese flick.

Bio source…..www.biography.com

Picture source…..4.bp.blogspot.com

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Bob Marley and The Wailers – Is This Love

Bob Marley and The Wailers – Is This Love

Bob Marley and The Wailers - Three little birds

As a poet, prophet and purveyor of Jamaican culture, he shattered musical boundaries around the world.

Bob Marley was born in a small village called Nine Miles in Jamaica. The son of British Naval Officer and Jamaican woman called Cedella, Marley rarely saw his father due to his mother’s family and their disapproval of his parents relationship.

By the time he had turned 16, Marley had recorded his first single ‘Judge Not’, and in 1963, he formed The Wailers with Peter Tosh, Bunny Livingstone, Junior Braithwaite, and Beverly Kelso. The band then scored their first number one in Jamaica with ‘Simmer Down’ on the Coxsone label.

When Braithwaite and Kelso left the group around 1965, the Wailers continued as a trio, Marley, Tosh, and Livingstone trading leads. In spite of the popularity of singles like ‘Rude Boy’, the artists received few or no royalties, and in 1966 they disbanded.

After marrying his girlfriend Rita Anderson, Marley spent most of the following year working in a factory in Newark in the United States, where his mother had moved in 1963. Upon his return to Jamaica, the Wailers reunited and recorded for Coxsone with little success. During this period, the Wailers devoted themselves to the religious sect of Rastafari.

In 1969, they began a three-year association with Lee “Scratch” Perry, who directed them to play their own instruments and expanded their line-up to include Aston and Carlton Barrett, formerly the rhythm section of Perry’s studio band, the Upsetters. Some of the records they made with Perry – like ‘Trenchtown Rock’ – were locally very popular, but so precarious was the Jamaican record industry that the group seemed no closer than before to establishing steady careers. It formed an independent record company, Tuff Gong, in 1971, but the venture foundered when Livingstone was jailed and Marley got caught in a contract commitment to American pop singer Johnny Nash, who took him to Sweden to write a film score.

Their breakthrough came in 1972 when Chris Blackwell – who had released ‘Judge Not’ in England in 1963 – signed the Wailers to Island Records and advanced them the money to record themselves in Jamaica. The first result of this new contract was 1973’s ‘Catch A Fire’, the breakthrough album that saw the band reach an international audience for the first time. It was followed a year later by Burnin’, which included the songs “Get Up, Stand Up” and “I Shot The Sheriff”.

The band toured heavily during this period, and Marley expanded the instrumental section of the group and bringing in a female vocal trio, the I-Threes, which included his wife, Rita. Now called Bob Marley and the Wailers, they toured Europe, Africa, and the Americas, building especially strong followings in the U.K., Scandinavia, and Africa. They had U.K. Top 40 hits with ‘No Woman No Cry’ (1975), ‘Exodus’ (1977), ‘Waiting in Vain’ (1977), and ‘Satisfy My Soul’ (1978).

In 1976, Marley was shot by gunmen during the Jamaican election campaign, but survived and continued to soar in popularity until his 1981 death due to brain, lung and stomach cancer. In 1987, both Peter Tosh and longtime Marley drummer Carlton Barrett were murdered in Jamaica during separate incidents. Rita Marley continues to tour, record, and run the Tuff Gong studios and record company.

Picture source…..foreverb.rxmedicalweb.netdna-cdn.com

Bio source……www.thebiographychannel.co.uk

Come N Visit Our Music Stuff at Pasgroup